The Crimson Petal and the White: Faber M. - Softcover

Faber, Michel

3.88

43,420 ratings by Goodreads

9780857860019: The Crimson Petal and the White: Faber M.

Softcover

ISBN 10: 0857860011 ISBN 13: 9780857860019

Publisher: Canongate Books, 2011

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NOW A MAJOR BBC DRAMA STARRING Romola Garai, Chris O'Dowd, Gillian Anderson, Richard E. Grant, Shirley Henderson and Mark Gatiss

'Watch your step. Keep your wits about you; you will need them . . .'

So begins this irresistible voyage into the dark side of Victorian London. Amongst an unforgettable cast of low-lifes, physicians, businessmen and prostitutes, meet our heroine Sugar, a young woman trying to drag herself up from the gutter any way she can. Be prepared for a mesmerising tale of passion, intrigue, ambition and revenge.

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Review:

Although it's billed as "the first great 19th-century novel of the 21st century," The Crimson Petal and the White is anything but Victorian. It's the story of a well-read London prostitute named Sugar, who spends her free hours composing a violent, pornographic screed against men. Michel Faber's dazzling second novel dares to go where George Eliot's The Mill on the Floss and the works of Charles Dickens could not. We learn about the positions and orifices that Sugar and her clients favour, about her lingering skin condition, and about the suspect ingredients of her prophylactic douches. Still, Sugar believes she can make a better life for herself.

When she is taken up by a wealthy man, the perfumer William Rackham, her wings are clipped and she must balance financial security against the obvious servitude of her position. The physical risks and hardships of Sugar's life (and the even harder "honest" life she would have led as a factory worker) contrast--yet not entirely--with the medical mistreatment of her benefactor's wife, Agnes, and beautifully underscore Faber's emphasis on class and sexual politics.

In theme and treatment, this is a novel that Virginia Woolf might have written, had she been born 70 years later. The language, however, is Faber's own--brisk and elastic--and, after an awkward opening, the plethora of detail he offers (costume, food, manners, cheap stage performances, the London streets) slides effortlessly into his forward-moving sentences. When Agnes goes mad, for instance, "she sings on and on, while the house is discreetly dusted all around her and, in the concealed and subterranean kitchen, a naked duck, limp and faintly steaming, spreads its pimpled legs on a draining board." Despite its 800-plus pages, The Crimson Petal and the White turns out to be a quick read, since it is truly impossible to put down. --Regina Marler, Amazon.com

Review:

"This is an unputdownable book; there is no choice but to give in to this most unbelievably pleasurable of narrative rides. From Pointillism to broad brushstroke bravura, the prose seems to be on some benign, timed-release speed: its pace in unflagging, its onward rush irresistible. . . Faber's take on the 19th Century English novel is a heady and intoxicating mixture of affection, respect and scabrous resistance" (The Times)

"A sexy, bravura novel... wildly entertaining" (New York Times)

"When a book is this big, it had better be good - this one is. Dive in. Enjoy!" (Alice Sebold)

"Owes as much to John Fowles as it does to Charlotte Bronte. Which is to say that the book is both mind-bogglingly clever and page-turningly tempting. Don't miss it" (Daily Telegraph)

"An astonishing narrative sweep that encompasses Victorian society in all its colourful variety, it peels away the surface gentility and brings its world to vivid life. It's a feast for all five senses and in spite of its weight, it's impossible to put down." (Val McDermid)

"Key to its success is the book's sly acknowledgment of its modernity without recourse to taking up the crude cudgels of irony . . . a sybaritic pleasure and a ripping yarn." (Times)

"Owes as much to John Fowles as it does to Charlotte Bront�. Which is to say that the book is both mind-bogglingly clever and page-turningly tempting. Don't miss it." (Daily Telegraph)

"An intensely imaginative time-travel experience." (Independent)

"Takes the historical novel and, in the spirit of its subject matter, submits it to a good rogering in terms of graphically exposing the sexual details Dickens and Co. couldn't (or wouldn't) write about." (Sunday Herald)

"It is a long read but a rewarding one. It is also, unsurprisingly, a sexy one. Indeed, at times it seems that the real central characters are the readers, good voyeurs that we are." (Observer)

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