Everest: How To Build A Small Budget Recording ∗studio∗ From Scratch 2ed (pr Only): With 12 Tested Projects - Softcover

EVEREST, FA

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9780830629664: Everest: How To Build A Small Budget Recording ∗studio∗ From Scratch 2ed (pr Only): With 12 Tested Projects

Softcover

ISBN 10: 0830629661 ISBN 13: 9780830629664

Publisher: John Wiley & Sons, 1988

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Practical guidance in the design, construction, and operation of your own affordable acoustics studio. Every aspect of designing and building an audio studio is fully discussed; floor plans

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From the Back Cover:

BUILD YOUR OWN RECORDING STUDIO AT A COST LOWER THAN YOU EVER THOUGHT POSSIBLE!

INCLUDES 12 TESTED AND PROVEN DESIGNS

Here's the perfect reference for anyone planning to build or remodel a recording studio on a shoe-string budget. Whether your interest is in radio, audio-visual, film, or television production, you can build an efficient, fully functional studio with no special training or knowledge of acoustics.

Bypassing heavy-duty math and assuming you don't have an unlimited budget, this do-it-yourself guide provides 12 fully tested and proven designs that allow you to create truly outstanding recording settings. Basic acoustical principles are explained in the context of real-life project plans that detail construction materials, applied design elements, as well as cost.

This Third Edition contains valuable information on acoustical materials, the latest in computer-controlled acoustical test equipment, new techniques and materials used to isolate and control vibration, and a new chapter on blueprint reading. You'll also find job-simplifying new information on materials and construction methods and a comprehensive listing of products and manufacturers.

If you're an amateur audiophile or electronic hobbyist with a discerning musical ear and high hopes, but don't have cash to burn - here are plans that give you the best sound you can get for your money.

About the Author:

MIKE SHEA has been involved with professional audio since the 1960s when he opened his own recording studio in Massachusetts. He relocated to New York in the 1970s and began a successful independent contracting career building rehearsal and recording studios. Throughout his career he has taught graduate courses at the Institute of Audio Research, served as the technical editor of RECORDING WORLD magazine, and written extensively about all aspects of professional audio.

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