Irene Eynat-Confino Beyond the Mask

ISBN 13: 9780809313723

Beyond the Mask

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9780809313723: Beyond the Mask
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Eynat-Confino goes beyond the usual consideration of Craig s purported theories of the actor, scenery, and the scene painter to get at the heart of Craig s idea of theater.

She draws not only on the research of contemporary Craig scholars but on material hitherto unavailablehis writings and daybooks and the writings of friends. She ties Craig s encounter with Isadora Duncan to a decisive modification in his notion of movement. To have an instrument more controllable than the actor, he invented the uber-marionette, a giant puppet. Craig also invented the Scene, a kinetic stage, the screens that brought him worldwide fame were simply an adaptation of this concept.

Eynat-Confino argues that a scenario Craig wrote in 1905, here published for the first time, reveals a theosophical system like that of Blake, a system that was the main force motivating Craig s artistic quest. In her final chapter, she carefully examines the psychological, aesthetic, and circumstantial factors that kept Craig from completing his work to bring friendlinesshumorloveeasepeace to the world."

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About the Author:

Irene Eynat-Confino is a free-lance writer, researcher, and theater consultant in Herzelia, Israel. She is now working on the meaning of the fantastic in modern Western theater.

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Book Description Southern Illinois University Press, United States, 1987. Hardback. Condition: New. Language: English . Brand New Book. Eynat-Confino goes beyond the usual consideration of Craig s purported theories of the actor, scenery, and the scene painter to get at the heart of Craig s idea of theater.She draws not only on the research of contemporary Craig scholars but on material hitherto unavailablehis writings and daybooks and the writings of friends. She ties Craig s encounter with Isadora Duncan to a decisive modification in his notion of movement. To have an instrument more controllable than the actor, he invented the uber-marionette, a giant puppet. Craig also invented the Scene, a kinetic stage, the screens that brought him worldwide fame were simply an adaptation of this concept.Eynat-Confino argues that a scenario Craig wrote in 1905, here published for the first time, reveals a theosophical system like that of Blake, a system that was the main force motivating Craig s artistic quest. In her final chapter, she carefully examines the psychological, aesthetic, and circumstantial factors that kept Craig from completing his work to bring friendlinesshumorloveeasepeace to the world. Seller Inventory # AAN9780809313723

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Book Description Southern Illinois University Press, United States, 1987. Hardback. Condition: New. Language: English . Brand New Book. Eynat-Confino goes beyond the usual consideration of Craig s purported theories of the actor, scenery, and the scene painter to get at the heart of Craig s idea of theater.She draws not only on the research of contemporary Craig scholars but on material hitherto unavailablehis writings and daybooks and the writings of friends. She ties Craig s encounter with Isadora Duncan to a decisive modification in his notion of movement. To have an instrument more controllable than the actor, he invented the uber-marionette, a giant puppet. Craig also invented the Scene, a kinetic stage, the screens that brought him worldwide fame were simply an adaptation of this concept.Eynat-Confino argues that a scenario Craig wrote in 1905, here published for the first time, reveals a theosophical system like that of Blake, a system that was the main force motivating Craig s artistic quest. In her final chapter, she carefully examines the psychological, aesthetic, and circumstantial factors that kept Craig from completing his work to bring friendlinesshumorloveeasepeace to the world. Seller Inventory # AAN9780809313723

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