In terms of both words and images, the American comic book had a tremendous impact on popular culture. Comics could be funny and cute, or they could be bizarre, morbid, risque (acute accent), violent, and bursting with the subconscious desires of youth culture. The Classic Era of American Comics is a celebration of the golden era of American comics and the wonderful art and stories it produced. This volume takes a look at the pioneers of the comic book and the industry's founding connections with sleazy pulp magazines; the campaign for censorship in the fifties; the unstable and oftentimes unfair relationship between artists and publishers--how comic artists' work wasn't considered art at the time; and, of course, the exciting comics themselves.
The Classic Era of American Comics covers all of the genres--superheroes, westerns, crime, horror, war, science fiction, girl comics, animal characters, and more. It is vibrantly illustrated with more than 400 stunning color images and includes a foreword by Joe Kubert, editor of Sgt. Rock, illustrator of Hawkman, and producer of Fax from Sarajevo.
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Nicky Wright collected comics all his life and wrote for American Comic magazine. He was principally known as an award-winning writer and photographer of books on American cars. He lived for most of the last 15 years of his life in Michigan, but died in 2000 in England, home of his birth. Joe Kubert started working in the comics business at age 11 and for the next 60 years produced stories about Hawkman, Tarzan, and Batman, as well as many other great comics. He was an editor for DC Comics for 25 years and founded the only school for comic artists. He received many honors including the 1998 Will Eisner Hall of Fame award. He died in August 2012.
Whether he is discussing how one company's failure became another's success, reviewing how the House UnAmerican Activities Committee destroyed EC Comics, or revealing the underlying bondage themes of early Wonder Woman adventures, Wright is well informed. And he tackles such central themes as funny animals, clowns, superheroes, girls (both good and bad), horror, crime, war, and romance. He does all this adequately. But he does not rise above the adequate, rivet the reader, or seem to offer information that has not been heard before. The layout often veers into the garish, which doesn't help. This book is recommended for public libraries that have an extensive collection of comics-related material. Other libraries would do better with The World Encyclopedia of Comics (LJ 11/198).DChris Ryan, New Milford, NJ
Copyright 2001 Reed Business Information, Inc.
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Book Description McGraw-Hill/Contemporary, 2000. Hardcover. Book Condition: New. book. Bookseller Inventory # M0809299666
Book Description McGraw-Hill/Contemporary, 2000. Hardcover. Book Condition: New. Never used!. Bookseller Inventory # P110809299666