God's Loud Hand (Southern Literary Studies)

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9780807118214: God's Loud Hand (Southern Literary Studies)
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If religious poetry may be thought of as a great river fed, in the English language, by two main streams - the devotional tradition, leading in recent times to Anne Sexton and John Berryman, and the contrastingly philosophical tradition, exemplified by William Blake - it is to the latter that this new book by Kelly Cherry belongs. In the poems of God's Loud Hand, Cherry conducts - often not at all devotionally, often with an honesty that precludes the emphasis on self that tends to be present in devotional poetry ("Lord save me, " "Lord forgive me, " "Lord help me") - a metaphorical investigation of theological ideas. These are fiercely intellectual poems, which, in the way of T. S. Eliot, are more akin in their stringent analysis to Tillich or Niebuhr, perhaps, than to someone like Simone Weil. At their base is a willingness to ask Abraham's great question, "Shall not the Judge of all the earth judge wisely?" This intellectual boldness reveals itself in a formal argumentation rare in contemporary poetry. Lik Donne or Hopkins, Kelly Cherry defines her terms, orders her points logically - no vagary or sentimentality appears here. The result of such exactitude is a kind of clarity, a grace, that seems to lift the poems off the page, to cause them to rise, make their own kind of ascension. It is as if these poems were larks - an exaltation of larks, as they say - that rise each morning to heaven's gate, but instead of singing hymns, they sing philosophy's own music. And in what a remarkable variety of keys, what a range of modes and moods. From the opening poems of historical and mythological drama, through the passionate love songs of the second section, through the dark night of the soul that takes place in the third, to the orchestral outburst of the final group of poems - poetry celebrating its own freedom to be poetry - in all these parts ("a chorus of lyrics, " one might say) there is a symphonic unity that astonishes, an ode to joy.

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From the Author:

Correction of a factual statement in a reader's response
Hi. I'd just like to correct a claim about my working process made by a reader. I don't write a book of poems =to= or =on= a subject; I write poems as they occur to me and allow them to accumulate as they wish. I identify themes as they make themselves known to me and distinguish them according to book when the time comes. Occasionally, a poem or couple of poems will inspire another, as is the case, I think, for all poets. The process of organizing a book is, at least for me, independent of the process of writing individual poems. This is to say that what I rely on as an organizing principle is not a predetermined scheme but patience. Hope this comment clarifies. Thanks for your earlier comment. Kelly

About the Author:

Kelly Cherry is the author of over twenty-five books of fiction, poetry, and nonfiction, ten chapbooks, and translations of two classical plays. She is Eudora Welty Professor Emerita of English and Evjue-Bascom Professor Emerita in the Humanities at the University of Wisconsin-Madison. She and her husband live in Virginia.

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9780807118207: God's Loud Hand

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ISBN 10:  0807118206 ISBN 13:  9780807118207
Publisher: Louisiana State University Press, 1993
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Book Description Louisiana State University Press, United States, 1993. Paperback. Condition: New. New.. Language: English . Brand New Book ***** Print on Demand *****. If religious poetry may be thought of as a great river fed, in the English language, by two main streams - the devotional tradition, leading in recent times to Anne Sexton and John Berryman, and the contrastingly philosophical tradition, exemplified by William Blake - it is to the latter that this new book by Kelly Cherry belongs. In the poems of God s Loud Hand, Cherry conducts - often not at all devotionally, often with an honesty that precludes the emphasis on self that tends to be present in devotional poetry ( Lord save me, Lord forgive me, Lord help me ) - a metaphorical investigation of theological ideas. These are fiercely intellectual poems, which, in the way of T. S. Eliot, are more akin in their stringent analysis to Tillich or Niebuhr, perhaps, than to someone like Simone Weil. At their base is a willingness to ask Abraham s great question, Shall not the Judge of all the earth judge wisely? This intellectual boldness reveals itself in a formal argumentation rare in contemporary poetry. Lik Donne or Hopkins, Kelly Cherry defines her terms, orders her points logically - no vagary or sentimentality appears here. The result of such exactitude is a kind of clarity, a grace, that seems to lift the poems off the page, to cause them to rise, make their own kind of ascension. It is as if these poems were larks - an exaltation of larks, as they say - that rise each morning to heaven s gate, but instead of singing hymns, they sing philosophy s own music. And in what a remarkable variety of keys, what a range of modes and moods. From the opening poems of historical and mythological drama, through the passionate love songs of the second section, through the dark night of the soul that takes place in the third, to the orchestral outburst of the final group of poems - poetry celebrating its own freedom to be poetry - in all these parts ( a chorus of lyrics, one might say) there is a symphonic unity that astonishes, an ode to joy. Seller Inventory # APC9780807118214

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Book Description Louisiana State University Press, United States, 1993. Paperback. Condition: New. New.. Language: English . Brand New Book ***** Print on Demand *****.If religious poetry may be thought of as a great river fed, in the English language, by two main streams - the devotional tradition, leading in recent times to Anne Sexton and John Berryman, and the contrastingly philosophical tradition, exemplified by William Blake - it is to the latter that this new book by Kelly Cherry belongs. In the poems of God s Loud Hand, Cherry conducts - often not at all devotionally, often with an honesty that precludes the emphasis on self that tends to be present in devotional poetry ( Lord save me, Lord forgive me, Lord help me ) - a metaphorical investigation of theological ideas. These are fiercely intellectual poems, which, in the way of T. S. Eliot, are more akin in their stringent analysis to Tillich or Niebuhr, perhaps, than to someone like Simone Weil. At their base is a willingness to ask Abraham s great question, Shall not the Judge of all the earth judge wisely? This intellectual boldness reveals itself in a formal argumentation rare in contemporary poetry. Lik Donne or Hopkins, Kelly Cherry defines her terms, orders her points logically - no vagary or sentimentality appears here. The result of such exactitude is a kind of clarity, a grace, that seems to lift the poems off the page, to cause them to rise, make their own kind of ascension. It is as if these poems were larks - an exaltation of larks, as they say - that rise each morning to heaven s gate, but instead of singing hymns, they sing philosophy s own music. And in what a remarkable variety of keys, what a range of modes and moods. From the opening poems of historical and mythological drama, through the passionate love songs of the second section, through the dark night of the soul that takes place in the third, to the orchestral outburst of the final group of poems - poetry celebrating its own freedom to be poetry - in all these parts ( a chorus of lyrics, one might say) there is a symphonic unity that astonishes, an ode to joy. Seller Inventory # APC9780807118214

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