Through detailed readings of Montaigne, Schlegel, and Kafka, this book answers a challenge that has persisted in literary theory and literary history for almost two decades-how to historicize the concept of literature.
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Luiz Costa-Lima is Professor of Theory of Literature and Comparative Literature at the Universidade do Rio de Janeiro.
The title of this work derives from Costa-Lima's reading of what is probably the most famous passage in Kant's Third Critique. In Kant's thesis that the results of aesthetic judgment are "generally communicable but without the mediation of a concept", Costa-Lima discovers the necessity to identify and underscore a silence. This silence - these "limits of voice" - becomes the complex metonymy for the central theme of this book, literary experience as a case of aesthetic experience. In pursuing this theme, Costa-Lima views aesthetic and literary experience as a historically limited potentiality and examines the limits of aesthetic experience, which comes from its dependence on contextual requirements. The concern about "limits of voice" is developed on three different levels. First, Costa-Lima focuses, as a historical and systematic condition for aesthetic and literary experience, on subjectivity as the subject's right to speak in his/her own name. Second, he argues that, although historical modes of speaking and experiencing were inscribed into and legitimized by cosmological constructions, subjectivity requires the existence of a context no longer grounded in cosmology, which he refers to as "the Law". Third, he postulates the double dependence of literary and aesthetic experience on the emergence of subjectivity and the existence of "the Law" as its enabling and limiting frame condition. This book answers a challenge that has persisted in literary theory and literary history for almost two decades - how to historicize the concept of literature.
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Condition: New. Through detailed readings of Montaigne, Schlegel, and Kafka, this book answers a challenge that has persisted in literary theory and literary history for almost two decades--how to historicize the concept of literature. Translator(s): Britto, Paulo. Num Pages: 356 pages, references, index. BIC Classification: DSA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 236 x 161 x 28. Weight in Grams: 710. . 1996. Hardback. . . . . Seller Inventory # V9780804725408
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Hardcover. Condition: new. Hardcover. At the centre of this book is an analysis of literary experience as a case of aesthetic experience. In response to the questions raised by the rise of subjectivity, Costa Lima argues that though traces of subjectivity can be identified in the writings of Montaigne, only Kant provided the necessary philosophical legitimation of subjectivity. Schlegel's work is considered as both the beginning and culmination of philosophical aesthetics while Kafka's writing is seen as 'a fictional work which, without taking itself as Truth, refrains from affirming any Truth, and questions Truths as fictions'. An analysis of literary experience as a case of aesthetic experience based on the works of Kant, Montaigne, Schlegel, and Kafka. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780804725408
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Condition: New. Through detailed readings of Montaigne, Schlegel, and Kafka, this book answers a challenge that has persisted in literary theory and literary history for almost two decades--how to historicize the concept of literature. Translator(s): Britto, Paulo. Num Pages: 356 pages, references, index. BIC Classification: DSA. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 236 x 161 x 28. Weight in Grams: 710. . 1996. Hardback. . . . . Books ship from the US and Ireland. Seller Inventory # V9780804725408
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