Sharp Objects - Softcover

Flynn, Gillian

4.02

1,038,569 ratings by Goodreads

Softcover

ISBN 10: 080413832X ISBN 13: 9780804138321

Publisher: Random House USA, 2013

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Fresh from a brief stay at a psych hospital, reporter Camille Preaker faces a troubling assignment: she must return to her tiny hometown to cover the murders of two preteen girls. For years, Camille has hardly spoken to her neurotic, hypochondriac mother or to the half-sister she barely knows: a beautiful thirteen-year-old with an eerie grip on the town. Now, installed in her old bedroom in her family's Victorian mansion, Camille finds herself identifying with the young victimsa bit too strongly. Dogged by her own demons, she must unravel the psychological puzzle of her own past if she wants to get the storyand survive this homecoming.

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Review:

Gillian Flynn is TV critic for US magazine Entertainment Weekly, but after the highly impressive thriller debut that is Sharp Objects, she may have to re-think the day job – particularly as such masters of the thriller as Harlan Coben and Stephen King are falling over each other to praise her novel.

Flynn’s conflicted heroine is journalist Camille Parker, who is holding down a job on a low-rent newspaper, convinced that she’s inspiring only feeling of disappointment in her editor, who has nursed unfulfilled hopes for her journalistic career. Camille, from a small town called Wind Gap in Missouri, sees herself as white trash, but actually hails from a moneyed family. To maintain her sanity, she has escaped from the town and her highly-strung, hypochondriac mother. But bad news beckons: she is summoned by her editor, who suggests she return to her home town to cover the abduction and murder of two young girls. Despite all her reservations (not least for her own mental equilibrium), she feels she must go, returning to the impressive Victorian mansion that was her home. She is quickly back in dangerous territory with her demanding mother – and reminding herself how she fell into a dark cycle of self-harm. Another problem is her Lolita-ish half-sister, a precocious teenager with a following of alienated girlfriends and some dark secrets of her own. Back in this destabilising territory, Camille is reminded of the childhood tragedy that left a mark on her. Looking into the deaths of the murdered girls, she starts to make big mistakes: going to bed with the investigator assigned to the case, and, worse, getting involved with the prime suspect, a disturbed teenager.

This heady brew of Southern gothic is dispatched with an assurance that totally belies the fact that this is a debut novel – and, what’s more, will have most readers hungry for more of Gillian Flynn’s individual brand of sexually-charged menace. --Barry Forshaw

Review:

To say this is a terrific debut novel is really too mild ... [it is] a relentlessly creepy family saga. I found myself dreading the last thirty pages or so, but was helpless to stop turning them. Then, after the lights were out, the story just stayed there in my head, coiled and hissing, like a snake in a cave (Stephen King)

This is a stylish thriller about housewives who don't recognise their own desperations, while the reader recognises with fascinated clarity the nastiness and vacuity of life in an updated Stepford (Literary Review)

It is a stunningly accomplished evocation of the oppressiveness of small-town life and is just as assured in depicting the gradually revealed psychological disorder that links Camille to both the killer and victims (Sunday Times)

Compulsively disturbing and ... exciting (Time Out)

[A] striking first novel ... a relentlessly dark tale, with some very disturbing characters, Camille among then, and it makes a powerful impact (Sunday Telegraph)

A stylish and compelling debut. A real winner (Harlan Coben)

If you love Martha O'Connor look out for Gillian Flynn's debut, Sharp Objects ... a gothic fairytale-gone-bad (Company)

The horror creeps up slowly, with Flynn misdirecting the reader until the shocking, dreadful and memorable double ending (Publisher's Weekly)

Six years before she became famous for Gone Girl, Gillian Flynn's first book wowed the critics.. it's a dark, unsettling read that fills you with doubt and keeps you second-guessing the whole way through" (ESSENTIALS)

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