Henry didn't turn back when Francesca needed him twenty years before. Now, on some sort of journey to anchor his soul, he arrives in her home town of Warbling and discovers that she's even further beyond his reach - serving a life sentence for the murder of her child.
Still intrigued by her, and entranced by his memories, he becomes drawn into the town and the people who knew her far better than he - her cousin, her lawyer, her closest friend, Angela, whose adopted daughter Francesca had helped her acquire. He finds himself a lodger in the House of Enchantment, an eccentric boarding house run by two gays who believe the comfort of their guests is above profit. And he finds himself incapable of believing that Francesca is a killer, even if she did confess her crime in chillingly logical detail. But if it wasn't her, then who?
Peopled with richly quirky and original characters, this is a novel of suspense in which the truth is better left unknown.
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When Henry was backpacking around India some 20 years before, he encountered the beguiling Francesca Chisholm. Francesca's father died, and Henry's reluctance to alter his travel plans obliged her to leave without him. For all of his adult life, he has regretted this decision, and finally resolves to travel to the English coastal town of Warbling (the name is the book's only miscalculation) to track her down. But Henry is in for a shock. It's a very wet February, and his hotel is flooded, so he is obliged to stay at a strange alternative hostel. The solicitor who has traced Francesca suggests that he regard her as dead but Henry persists. He discovers that Francesca has confessed to killing her five-year-old son, drowning him in the sea. She is imprisoned and the case appears to be closed. But is it? Henry decides to find out precisely what happened. And his scarifying odyssey into the dark night of the soul--both his and hers--is something he finds himself unprepared for.
Fyfield adroitly presents her protagonist with an implacable mystery--but the solving of this mystery is no mechanical trick, as it so often was in the golden age of crime fiction. The journey Henry undertakes will change him forever, and the insights into the troubled Francesca's psyche are as rich and profound as anything in literary fiction. As always with this author, the characters are fastidiously created, and the taut structure of the plot is accentuated by the relative brevity of her narrative. Some may wish for a longer book, but there isn't a wasted word here, and anyone in doubt as to Fyfield's position in the pantheon of English crime writing should not hesitate.
--Barry Forshaw
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