Physics is fundamental to all aspects of digital photography. This book works through the photographic imaging chain starting from the physics of image capture and the physics underlying the nature of the captured camera raw data, through to the conversion of the raw data into a viewable output image. The goal of the book is to show how knowledge of the underlying physics can be used by a photographer or imaging scientist to maximise the technical quality of the final image.
Surprisingly, given the ubiquity of digital photography, while there are numerous academic titles devoted to areas of digital photography, there is not a single text providing an overview of the detailed physics involved for an audience of scientists and engineers. The numerous introductory books ignore the technical and physics aspects and tend to concentrate on a photography approach. With the increasing use of digital photography in a research environment, and in areas where it is used as a tool in support of research, modern scientists and engineers need to better understand the science behind all aspects of digital photography to maximise the exploitation of digital photography in their research.
In addition to an academic readership, this book will be of interest to professional and serious amateur photographers wanting a better understanding of the technical aspects of digital photography.
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Andy Rowlands obtained a first class degree in Mathematics and Physics from the University of Warwick in 2000 followed by a PhD in Physics in 2004. He was subsequently awarded an EPSRC Fellowship in Theoretical Physics in the field of condensed matter theory at the University of Bristol and later he worked at Lawrence Livermore National Laboratory in the USA. In 2009 he took a sabbatical from physics and moved to China to pursue his interest in photography, during this time he became interested in the application of physics to photography. Returning to physics he took up a postdoctoral position at Tongji University in Shanghai. An extensive knowledge of the theoretical concepts involved and practical experience as a free-lance photographer puts the author a unique position to develop this text.
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