The Great War on the Small Screen: Representing the First World War in Contemporary Britain

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9780748633890: The Great War on the Small Screen: Representing the First World War in Contemporary Britain
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In Britain since the 1960s television has been the most influential medium of popular culture. Television is also the site where the Western Front of popular culture clashes with the Western Front of history. This book examines the ways in which those involved in the production of historical documentaries for this most influential media have struggled to communicate the stories of the First World War to British audiences. Documents in the BBC Written Archives Centre at Caversham, Berkshire, the Imperial War Museum, and the Liddell Hart Centre for Military Archives all inform the analysis. Interviews and correspondence with television producers, scriptwriters and production crew, as well as two First World War veterans who appeared in several recent documentaries provide new insights for the reader. Emma Hanna takes the reader behind the scenes of the making of the most influential documentaries from the landmark epic series The Great War (BBC, 1964) up to more recent controversial productions such as The Trench (BBC, 2002) and Not Forgotten: The Men Who Wouldn't Fight (BBC, 2008). By examining the production, broadcast and reception of a number of British television documentaries this book examines the difficult relationship between the war's history and its popular memory.

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The Great War continues to move us, now nearly a century after its outbreak. Television history is one reason why this is so. Its reach is unmatched, as is its capacity to tell stories of war, both comic and tragic, through visual narratives of hardship, heroism, and sacrifice. These narratives still resonate in millions of British households. This book presents the history of this popular form of British remembrance, and helps explain why, even though Harry Patch, the last living British veteran, has passed away, the Lost Generation remains with us still. -- Jay Winter, Yale University, Author of 'Sites of memory, sites of mourning. The Great War in European cultural history' An original and insightful overview of a very important subject. --Steve Humphries, Testimony Films

About the Author:

Emma Hanna is a Lecturer in History at the University of Greenwich, London

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Book Description EDINBURGH UNIVERSITY PRESS, United Kingdom, 2009. Hardback. Condition: New. New. Language: English . Brand New Book. In Britain since the 1960s television has been the most influential medium of popular culture. Television is also the site where the Western Front of popular culture clashes with the Western Front of history. This book examines the ways in which those involved in the production of historical documentaries for this most influential media have struggled to communicate the stories of the First World War to British audiences. Documents in the BBC Written Archives Centre at Caversham, Berkshire, the Imperial War Museum, and the Liddell Hart Centre for Military Archives all inform the analysis. Interviews and correspondence with television producers, scriptwriters and production crew, as well as two First World War veterans who appeared in several recent documentaries provide new insights for the reader. Emma Hanna takes the reader behind the scenes of the making of the most influential documentaries from the landmark epic series The Great War (BBC, 1964) up to more recent controversial productions such as The Trench (BBC, 2002) and Not Forgotten: The Men Who Wouldn t Fight (BBC, 2008). By examining the production, broadcast and reception of a number of British television documentaries this book examines the difficult relationship between the war s history and its popular memory. Seller Inventory # AAZ9780748633890

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Book Description EDINBURGH UNIVERSITY PRESS, United Kingdom, 2009. Hardback. Condition: New. New. Language: English . Brand New Book. In Britain since the 1960s television has been the most influential medium of popular culture. Television is also the site where the Western Front of popular culture clashes with the Western Front of history. This book examines the ways in which those involved in the production of historical documentaries for this most influential media have struggled to communicate the stories of the First World War to British audiences. Documents in the BBC Written Archives Centre at Caversham, Berkshire, the Imperial War Museum, and the Liddell Hart Centre for Military Archives all inform the analysis. Interviews and correspondence with television producers, scriptwriters and production crew, as well as two First World War veterans who appeared in several recent documentaries provide new insights for the reader. Emma Hanna takes the reader behind the scenes of the making of the most influential documentaries from the landmark epic series The Great War (BBC, 1964) up to more recent controversial productions such as The Trench (BBC, 2002) and Not Forgotten: The Men Who Wouldn t Fight (BBC, 2008). By examining the production, broadcast and reception of a number of British television documentaries this book examines the difficult relationship between the war s history and its popular memory. Seller Inventory # AAZ9780748633890

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Book Description Edinburgh University Press, 2010. Condition: New. Explores the relationship between the factual history of the First World War and its popular memory. Num Pages: 200 pages, 21 black & white halftones. BIC Classification: 1DBK; APT; HBWN. Category: (P) Professional & Vocational. Dimension: 241 x 165 x 17. Weight in Grams: 458. . 2010. Hardcover. . . . . . Seller Inventory # V9780748633890

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