How the Dead Live - Hardcover

Self, Will

3.58

2,875 ratings by Goodreads

Hardcover

ISBN 10: 0747548951 ISBN 13: 9780747548959

Publisher: Bloomsbury Publishing PLC, 2000

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It's 1988 and Lily Bloom, a 65-year-old American lies dying of cancer in a London hospital. As her two daughters buzz around her and the nurses pump her full of morphine, she slides in and out of consciousness, outraged that there is so little time left and so many people still to disparage.

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Review:

In 1988, sixty-five-year old Lily Bloom quickly succumbs to cancer in London. But after life there's death. Guided by an Aborigine named Phar Lap Jones, Lily is transported by a Greek Cypriot minicab driver to the North London dead neighbourhood of Dulston. There, accompanied by her lithopedion Lithy and her dead son Rude Boy, she's introduced to the twelve-step Personally Dead meetings, and watches over her living daughters--the cold, ambitious Charlotte, and her favourite, the heroin-addicted Natasha.

Since Self's face, voice and, notoriously, his life story are familiar to millions who will never pick up his book, there's always the risk of over-reading his work biographically. Read this way, Lily is clearly based on his New York-born Jewish mother; large chunks of Self's much-publicised addictions are wittily retooled; and Self himself is sexily transmuted into the beautiful and glamorously doomed Natasha. But Lily is a feisty, articulate woman, with a complex history spanning two continents, two husbands, and a constantly recreated personality--a great literary creation. Self's longterm obsession with London provides us with the utterly convincing Dulston; his treatment of modern Jewish life in North London (versus New York) will find its fans and critics; and his sympathetic account of Lily's decline into her morphine-laden deathbed is deeply affecting. But ultimately How The Dead Live grows beyond such local concerns. Ultimately, this novel is about the vexed relationship between the local worries of contemporary Western life and a more transcendent non-Western spirituality--signalled by Self's opening gesture to The Tibetan Book of the Dead and by the all-seeing Aborigine Phar Lap Jones. Readers familiar with his satire and pyrotechnic wordplay--both still well in place--may initially be thrown by the book's unexpected lurches of narrative voice and locale and its mysticism--but they'd be well advised to give it a chance. How The Dead Live is a big book with big ideas, and quite definitely Will Self's most ambitious and mature work to date.--Alan Stewart

From the Back Cover:

'Scathingly entertaining' The Times

'Lily is a colossal heroine, a nighttown Molly Bloom ... What begins as a satiric novel of ideas ends as a surprisingly moving elegy' Guardian

Scabrous, vicious and unpleasant in life, Lily Bloom has not been improved by death. She has changed addresses, of course, and now inhabits a basement flat in Dulston - London's borough for those no longer troubled by breathing - but if anything her temperament has worsened. Finding it hard to deal with the (enforced) company of a calcified, pop-obsessed foetus, her dead, foul-mouthed son and three gruesome creatures made of her own unwanted fat, she must find something to do with her time. So how do the dead live? And what happens when they stop being dead?

'The work of a novelist writing at the height of his powers. It is a horror story, a love-me-do story, a full-frontal assault on the seven deadly sins - and a celebration of them. Lily may be an old cow but she's good company' Evening Standard

'It is the unexpected emotional dimension that gives the novel its powerful resonance. How the Dead Live is gloriously the work of a demented moralist ... it seems to mark a transition. Behold the new Self: a clean, mean, writing machine' Esquire

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