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As anyone who has read the Brothers Grimm will testify, fairy tales are far from innocently penned ditties and the wolf lying in wait for Red Riding Hood can be interpreted in many ways. Hooper knows this and plays with it. The novel opens with Kitty Koala and Terence Tiger stumbling across the bloody crime scene and interspersed between the episodes with the animals' investigating Ellie's murder is a very adult tale of deceit and treachery.
In Stalinist Russia, blacklisted writers and artists had embedded secret messages in children's literature. Beautiful books were created, full of allegory, and the adults would read them before bedtime and remain fast asleep; disguised as the naïve, subversive content was unrecognisable. Children, hearing snoring, would gently take the books from their parents' hands. They'd ... tiptoe off to read the real story."
In Hooper's world, the children are all-seeing and the adults are the ones blinded by desire. Everything is subverted. Whilst the adults' sexual games take on a child-like quality with Kate playing the naughty schoolgirl to Thomas's stern chider, the children discuss evolution, the existence of God and Truth. Although Kate eventually uncovers the answers to Ellie's murder, the reader is left with more questions than answers to Kate's identity. Hooper, who has a mentor in Philip Roth, enchantingly layers her slender novel with many equally dark and illuminating levels, leaving the reader to chase breathlessly after her elusive truth. --Nicola Perry
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