On Writing: A Memoir of the Craft - Hardcover

King, Stephen

4.34

287,288 ratings by Goodreads

9780743204361: On Writing: A Memoir of the Craft

Hardcover

ISBN 10: 0743204360 ISBN 13: 9780743204361

Publisher: Simon & Schuster, 2001

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If you don't have the time to read, you don't have the time or the tools to write. In 1999, Stephen King began to write about his craft -- and his life. By midyear, a widely reported accident jeopardized the survival of both. And in his months of recovery, the link between writing and living became more crucial than ever. Rarely has a book on writing been so clear, so useful, and so revealing. On Writing begins with a mesmerizing account of King's childhood and his uncannily early focus on writing to tell a story. A series of vivid memories from adolescence, college, and the struggling years that led up to his first novel, Carrie, will afford readers a fresh and often very funny perspective on the formation of a writer. King next turns to the basic tools of his trade -- how to sharpen and multiply them through use, and how the writer must always have them close at hand. He takes the reader through crucial aspects of the writer's art and life, offering practical and inspiring advice on everything from plot and character development to work habits and rejection. Serialized in the New Yorker to vivid acclaim, On Writing culminates with a profoundly moving account of how King's overwhelming need to write spurred him toward recovery, and brought him back to his life. Brilliantly structured, friendly and inspiring, On Writing will empower -- and entertain -- everyone who reads it.

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Review:

Short and snappy as it is, Stephen King's On Writing really contains two books: a fondly sardonic autobiography and a tough-love lesson for aspiring novelists. The memoir is terrific stuff, a vivid description of how a writer grew out of a misbehaving kid. You are right there with the young author as he is tormented by poison ivy, gas-passing baby-sitters, uptight schoolmarms and a laundry job nastier than Jack London's. It's a ripping yarn that casts a sharp light on his fiction. This was a child who dug Yvette Vickers from Attack of the Giant Leeches, not Sandra Dee. "I wanted monsters that ate whole cities, radioactive corpses that came out of the ocean and ate surfers and girls in black bras who looked like trailer trash". But massive reading on all literary levels was a craving just as crucial, and soon King was the published author of "I Was a Teen-Age Graverobber". As a young adult raising a family in a trailer, King started a story inspired by his stint as a caretaker cleaning a high-school girls' locker room. He crumpled it up, but his writer wife retrieved it from the trash, and using her advice about the girl milieu and his own memories of two reviled teenage classmates who died young, he came up with Carrie. King gives us lots of revelations about his life and work. The kidnapper character in Misery, the mind-possessing monsters in The Tommyknockers, and the haunting of the blocked writer in The Shining symbolised his cocaine and booze addiction (overcome thanks to his wife's intervention, which he describes). "There's one novel, Cujo, that I barely remember writing".

King also evokes his college days and his recovery from the van crash that nearly killed him, but the focus is always on what it all means to the craft. He gives you a whole writer's "tool kit": a reading list, writing assignments, a corrected story and nuts-and-bolts advice on dollars and cents, plot and character, the basic building block of the paragraph and literary models. He shows what you can learn from HP Lovecraft's arcane vocabulary, Hemingway's leanness, Grisham's authenticity, Richard Dooling's artful obscenity, Jonathan Kellerman's sentence fragments. He explains why Kellerman's Hart's War is a great story marred by a tin ear for dialogue, and how Elmore Leonard's Be Cool could be the antidote. King isn't just a writer, he's a true teacher. --Tim Appelo, Amazon.com

Review:

"The best book on writing. Ever."--"The Plain Dealer" (Cleveland)

"A one-of-a-kind classic."--"The Wall Street Journal"

""On Writing" had more useful and observant things to say about the craft than any book since Strunk and White's "The Elements of Style.""--Roger Ebert

The best book on writing. Ever. --"The Plain Dealer" (Cleveland)"

"A one-of-a-kind classic."--The Wall Street Journal

"On Writing had more useful and observant things to say about the craft than any book since Strunk and White's The Elements of Style."--Roger Ebert

The best book on writing. Ever. --The Plain Dealer (Cleveland)"

"This is a special book, animated by a unique intelligence, and filled with useful truth."--Michael Chabon

"The best book on writing. Ever."--The Plain Dealer (Cleveland)

-A one-of-a-kind classic.---The Wall Street Journal

-This is a special book, animated by a unique intelligence, and filled with useful truth.---Michael Chabon

-On Writing had more useful and observant things to say about the craft than any book since Strunk and White's The Elements of Style.---Roger Ebert

-The best book on writing. Ever.---The Plain Dealer (Cleveland)

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