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Eugene Richards is one of America’s greatest living social documentary photographers. His intense vision and unswerving commitment to documenting the plight of the disadvantaged has produced powerful work on topics such as drug addiction, poverty, the mentally disabled, ageing and the personal consequences of war. The Blue Room is his first colour project, a moving, highly personal project that brings together the themes that encompass all of Richards’ work – what he describes as the ‘transient nature of things’. The photographs are portraits of the abandoned and forgotten houses of western America in areas such as the plains of Kansas, Nebraska, New Mexico and the Dakotas. In the early twentieth century, railroads lured settlers west with the promises of homesteads and towns rose across the plains. But in the wake of the Depression and the dust storms of the 1930s the towns faltered then failed. Richards enigmatic photographs of these forgotten homes are a meditation on memory and loss – family photographs stuck on a wall, a wedding dress hanging in a bedroom, snow falling on a bed by an open window, a wild horse standing at an open kitchen window. Richards’ contemplative, beautiful photographs inspire us to imagine the lives of the former occupants, and make a quiet statement on the inevitability of the circle of life and death, and the vulnerability of man in the face of shifting economic opportunities and the climate.
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78 illustrations in colour . 4to (cm 27,5x40) pp. 168 Rilegato, sovracoperta (hard cover, dust jacket) Ottimo (Fine) The Blue Room is Richards' first colour project, a moving, highly personal project that brings together the themes that encompass all of Richards' work. The photographs are portraits of the abandoned and forgotten houses of western America in areas such as the plains of Kansas, Nebraska, New Mexico and the Dakotas.Review:
"Having made his name with his black-and-white urban reportage, [Richards’] belated move to colour dismayed some of his faithful [...] but it seemed to me to be a successful reinvention rather than a late mellowing-out. Taken from his recent book, The Blue Room, Richards' large colour prints of abandoned houses and landscapes in the American south were evocative and elegiac... This is William Eggleston's weird southern gothic reworked as a remembrance of things long gone... The master of monochrome moves into colour and evokes a vanishing American deep south, revealing a late-flowering Romanticism in sumptuous landscapes and decaying interiors."―The Observer
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Book Description Phaidon Press November 2008, 2008. Hardcover. Condition: New. Eugene Richards was born in Dorchester, Massachusetts, a neighborhood of Boston. After graduating from Northeastern University with a degree in English and journalism, he studied photography with Minor White at MIT. In 1968 he became a health care advocate in eastern Arkansas. Two years later, he helped found a social service organization and a community newspaper, Many Voices, that reported on black political action and the Ku Klux Klan. After publication of his first two books, Few Comforts or Surprises: The Arkansas Delta (1973) and Dorchester Days (self-published in 1978), Richards was invited to become a nominee at Magnum. He was a member until he departed in 1995, returned to the cooperative in 2002, and departed for a second time in 2005. Richards has been the recipient of numerous awards over the course of his career, including the W. Eugene Smith Memorial Award, a Guggenheim Fellowship, three National Endowment for the Arts grants, the Leica Medal of Excellence, the Leica Oskar Barnack Award, the Olivier Rebbot Award, and the Robert F. Kennedy Lifetime Achievement Award for coverage of the disadvantaged. His photographs are collected and exhibited widely, and a major touring retrospective of his work premiered at the Rencontres Internationales de la Photographies in Arles, France in 1997. His photo essays have appeared in countless publications, including The New York Times Magazine, Esquire, TIME, Newsweek, The New Yorker, Fortune, and Life. In addition to his prolific photography, Richards has also written, photographed, directed, and produced four short films as well as an hour-long documentary. His documentary, entitled Now, then, forever, is a cinema verite treatment of life inside a Nebraska nursing home that had its world premiere at the 2003 Full Frame Documentary Film Festival. Other films included Cocaine True, Cocaine Blue, a powerful portrait of a crack-infested neighborhood in Philadelphia, and But, the day came chronicles the passage of a 92-year-old farm into a nursing home. The latter received the Jury Award for Best Short Film at the 2000 Full Frame Documentary Film Festival. Despite his success in other fields, Richards remains best known for his books and photo essays on cancer, drug addiction, poverty, emergency medicine, the mentally disabled, aging, and death in America. His intense vision and unswerving commitment have led him to become what many believe is America's greatest living social documentary photographer. This new body of work, entitled The Blue Room, is one of Richards' most personal works to date. It his is first-ever color project, and it brings together the overarching themes of all his work ''the transient nature of things'' in a beautiful and moving series of pictures of the landscape and abandoned houses of the American West, covering the states of Kansas, Colorado, Wyoming, Montana, Arkansas, Nebraska, New Mexico, and the Dakotas. This is the area where settlers came around the turn of the twentieth century, pursuing the promise of homesteads where they could build successful communities. However, in the wake of the Great Depression and the dust storms of the 1930s, the farms in this isolated, semi-arid region faltered and failed, leaving the land littered with forgotten homes. Richards' photographs are a statement on the vulnerability of man in the face of the shifting economic opportunities and the climate; a commentary on the inevability of change. In these contemplative pictures we are inspired to imagine the lives of the homes' former occupants. Richards enigmatic pictures make The Blue Room a thought-provoking meditation on memory; a quiet yet incredibly powerful body of work. Seller Inventory # 154120
Book Description Phaidon Press, 2008. Hardcover. Condition: New. Never used!. Seller Inventory # P110714848328
Book Description Phaidon Press Inc., 2008. Hardcover. Condition: New. Ill. Seller Inventory # DADAX0714848328
Book Description Phaidon Inc Ltd, 2008. Hardcover. Condition: Brand New. illustrated edition. 168 pages. 11.00x16.00x1.00 inches. In Stock. Seller Inventory # zk0714848328
Book Description Phaidon Press, 2008. Gebundene Ausgabe. Condition: Neu. Neu Neuware, Importqualität, auf Lager, Versand per Büchersendung - The highliy anticipated first body of work in colour by Eugene Richards, one of America's greatest living social documentary photographers 168 pp. Englisch. Seller Inventory # INF1000378254
Book Description Phaidon Press, 2008. Condition: New. book. Seller Inventory # M0714848328
Book Description Phaidon Press, 2008. Hardcover. Condition: New. Ill. Ships with Tracking Number! INTERNATIONAL WORLDWIDE Shipping available. Buy with confidence, excellent customer service!. Seller Inventory # 0714848328n