The communications and design agency Imagination was founded by Gary Withers in 1978. It now has almost 500 staff, based in London, Hong Kong and New York, who practise a wide range of disciplines, from architecture, interiors, lighting and acoustics to graphics, film and digital media. Often dealing with high-profile theatrical events, Imagination's projects are sophisticated and highly orchestrated.
This book features over 30 projects organized into thematic chapters reflecting their aims: to inform, entertain, inspire, persuade and amaze. Projects include the exhibition 'Dinosaurs' at the Natural History Museum, London (1992), the Talk and Journey zones at the Millennium Dome (1999), The Aurora Centre, Berlin (1998) and the Guinness Storehouse, Dublin (2000).
An introduction by design critic Stephen Bayley assesses the significance of Imagination's approach to communication, while perspectives from Mike Davies of the Richard Rogers Partnership, Sean Perkins of North, architect Lorenzo Apicella, Ian Liddell of Buro Happold and J Mays, Vice President, Design, Ford Motor Company, provide insights into the work and culture of Imagination. An extensive interview with Gary Withers, illustrated with over 350 projects from the course of Imagination's history, further explains the evolution of this unique company.
"synopsis" may belong to another edition of this title.
The book opens with a laudatory essay by design journalist Stephen Bayley, who accords Imagination the title of "Britain's, and by some measures the world's, biggest design agency". Major commercial players such as Ford and BT have shown repeated and justified faith in Imagination to conceive, construct and choreograph launch events and happenings. What Imagination does, and is, remains intentionally elusive, as the key to its success lies in its fluidity. Referred to by one ex-employee as "a little Bauhaus", it rejects pyramid management for a pancake non-hierarchy that thrives on "partnering", whereby it has an established, trusted network of professionals who can be relied on for whatever a project entails. Their stock-in-trade is the stuff of dreams--their presentations and designs consciously impel the jaw to drop and appeal to an audience ideally with an intelligent brain but little previous product knowledge. From the launch of the Tate Modern, exhibitions at the Natural History Museum, the Guinness Storehouse in Dublin (with a top-level bar lit like the head of a pint, naturally) to several pavilions at the Millennium Dome, they have embraced a sense of theatrical presentation rooted in precision and planning. As a result, a series of stills and designs inevitably can't quite do justice to the scale of their achievement, but the inclusion of preliminary sketches and outlines of the thought behind their work, provide tantalising insights into method and a working environment to be equally admired and envied. Perhaps this, Imagination's philosophy ("to get there quicker") and practices, is the most impressive aspect of a book that illuminates the way forward for corporate presentation, in the most holistic, dare one say, Imaginative, fashion. --David Vincent
"About this title" may belong to another edition of this title.
Shipping:
£ 5.75
Within U.S.A.
Book Description Condition: New. New. In shrink wrap. Looks like an interesting title! 4.08. Seller Inventory # Q-0714840858
Book Description Condition: New. Book is in NEW condition. Seller Inventory # 0714840858-2-1