Spring 1917 on the Western Front: how were the Allies to discover where the Germans were going to make their next push, which parts of the line they were reinforcing? In this first full account of an Allied spying operation behind enemy lines during the First World War, Morgan describes how British military intelligence set up its Paris office in 1917 and persuaded a Luxembourg woman of remarkable courage to return as a spy to her native country to watch over the crucial railway marshalling yards there. To join her they sent Albert Baschwitz Meau, one of the most dashing, brave and colourful characters of this or any other war, who was floated one dark night in spring 1918 in an unpowered balloon over German lines...
Morgan reveals how the Allies recruited agents in Europe and ran their operations in enemy-controlled territory. But as well as the espionage story, she also tells the personal stories of the individual men and women who worked under such intense pressure and in such exceptional circumstances.
This is one of the most significant, as well as one of the most exciting, contributions to the literature of the First World War for many years.
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Morgan has done us and those she writes about admirable service in unlocking coded secrets to recreate actions of ingenuity and bravery whilst keeping the human drama foremost. In a cast of remarkable characters, Morgan’s protagonists are two of Bruce’s most outstanding, and in at least one case, most unlikely recruits. Madame Lise Rischard was a middle-aged Luxembourg housewife who took some persuading to report on German troop and weapon movements to and from the Western Front though the pivotal train marshalling yard in Luxembourg. She was aided by the gloriously intrepid Baschwitz Meau, a Belgian soldier who sailed over enemy lines in a balloon. In a story like this, even back-stories and asides are treasures, rather than narrative formalities and it is to Morgan’s credit that she controls her material with a real sense of the rhythm of storytelling. Whilst the bones of the story in itself would impress, Morgan’s obvious engagement with these characters allows the voices of the past rise off the pages. You can almost feel the silent exhilaration of nocturnal balloon flights over enemy lines, and hear the crack and boom of the long-range guns aimed at Paris, in the contexts of blasted landscapes and mass slaughter, which reminds us of exactly what was at stake.
Secrets of Rue St Roch is a thrilling page turner as readable as Adam Hochschild’s King Leopold’s Ghost and William Dalrymple’s White Mughals, which opens--as do these much praised histories--a window on the past and in so doing, on the enduring nature and improvisational abilities of the human spirit in extraordinary circumstances. -- Fiona Buckland
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