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It would be easy to make a case for the inseparability of Borges' literary output, for interleaving one's reading of the three collections. Coming to these essays one can see themes that appear elsewhere reworked as fiction or poetry: the nature of time, of eternity and infinity find their places in many of his best-known stories, and are illuminated by the discussions and speculations contained herein. What is also apparent, however, is how long-lasting many of his preoccupations were: themes which appear in his earliest essays recur throughout a lifetime of thinking and writing, lending this book, despite its admitted omissions, a deeply intimate sense of a mind working. Among his earliest essays we read: "there is no whole self. He who defines personal identity as the private possession of some depository of memories is mistaken". And later: "My postulate is that all literature, in the end, is autobiographical. Everything is poetic that confesses, that gives us a glimpse of a destiny". If these help mark a few of the philosophical kernels of Borges' work, then one final quotation illuminates his generosity: "I don't know if I am a good writer, but I think I am an excellent reader, or in any case a sensitive and grateful one". He more than deserves the same from those who come to his own extraordinary work. --Burhan Tufail
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