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The book suffers in its programmatic attempts to make the four boys and their families symbolise, or represent, Something Important To Do With British Life. Doug, for instance, symbolises Industrial Decline, via his dad, a shop steward at the doomed British Leyland Longbridge plant. For Sean its Sexual Liberation--at least he's the one that looks most likely to get his rocks off. And young Ben Trotter would appear to represent A Young Jonathan Coe. But if this aspect of the novel seems contrived, then the author's capricious, deft, wryly comedic and touchingly empathetic style keeps things chugging along, as he knits together the troubles and tragedies of some fairly ordinary people living through fairly extraordinary years. --Sean Thomas
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