Liberty fabric covered editions bring classics from the Faber backlist together with important modern titles, putting them in conversation and celebrating both the history and the future of Faber & Faber.
In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous.
Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences.
In 2019, Milkman, winner of the 2018 Man Booker Prize, will be reissued with a bespoke Liberty fabric cover, created uniquely for Anna Burns; Sylvia Plath's The Bell Jar will be reissued as a hardback featuring a Liberty fabric from the year of the novel's first publication (1963).
ABOUT THE FABRIC
Liberty Open Call 2019 winner Duncan Grant's Small Town print is one of his series of 'smalltown' ink designs, drawing inspiration from the homes and billowing chimneys of Grant's childhood in Gravesend. Born out of a doodling style, the design features a world that is by turns childlike, slightly abstract and colourfully simplified
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A triumph of voice . . . darkly hilarious. Author: Justine Jordan Source: Guardian BOOKS OF THE YEAR
The narrator of Milkman disrupts the status quo not through being political, heroic or violently opposed, but because she is original, funny, disarmingly oblique and unique: different. The same can be said of this book. Author: Claire Kilroy Source: Guardian
Anna Burns is part of a movement of new and established female Belfast writers... along with Lucy Caldwell, Roisín O'Donnell, Jan Carson and others.
Kenneth Tynan pointed out that a good critic perceived what was happening but a great critic also saw what was not happening. In Belfast for many years there was a lot of not happening. The men of violence who launched the city's 30-year-long suicide attempt tried to silence the women who mocked them for their macho stupidity and faux intellectual posturing. The women were never silent but now thank goodness they are being published in increasing numbers.
Milkman is both a story of Belfast and its particular sins but it is also a story of anywhere. It reminded me of China Mieville's The City and the City where identity, names and seeing the Other are contentious acts. Milkman shares this level of ambition; it is an impressive, wordy, often funny book and confirms Anna Burns as one of our rising literary stars.
From the outset, Milkman is delivered in a breathless, hectic, glorious torrent. The pace doesn't let up for a single moment.... Milkman can sometimes feel like a nerve-jangling reading experience; exhausting, even. Yet those who stick with Ann Burns' hectic, stream-of-consciousness writing, not dissimilar to that of Eimear McBride or Flann O'Brien, are more than rewarded.
Her writing has been described as "point-blank poetry", and rightly so. Her grasp on Middle sister's voice is so confident, and the textures of the environment, with its politics both big and small, are a thing to behold. It's an astute, exquisite account of Northern Ireland's social landscape, but Milkman is much more than that, too. It's also a coming-of-age story with flecks of dark humour, yet at other points it's a damning portrait of rape culture, and how women are often regarded in communities like this one. Because of this, Milkman is a potent and urgent book, with more than a hint of barely contained fury.
'Original and thought-provoking. There have been many novels written about scarred post-Troubles Northern Ireland; I applaud Belfast-born Anna Burns for finding an insightful approach which frees it from the usual cliches and narratives. She avoids the weight-bearing vocabulary of her subject by setting Milkman in an unnamed city, divided by two tribes both bearing the brunt of an oppressive patriarchal regime.
Burns ingeniously draws comparisons between the hypocrisies and injustices of a sectarian society and the troubled and misunderstood experience of female adolescence. That she successfully tackles her serious mission with razor sharp wit, warm humour and great compassion is even more impressive. This one's a keeper.'
Source: Big Issue2018 Man Booker Prize winner reissued with a bespoke Liberty fabric cover
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Hardcover. Condition: new. Hardcover. Liberty fabric covered editions bring classics from the Faber backlist together with important modern titles, putting them in conversation and celebrating both the history and the future of Faber & Faber.In 2019, Milkman, winner of the 2018 Man Booker Prize, will be reissued with a bespoke Liberty fabric cover, created uniquely for Anna Burns; Sylvia Plath's The Bell Jar will be reissued as a hardback featuring a Liberty fabric from the year of the novel's first publication (1963).In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and to be noticed is dangerous.Milkman is a tale of gossip and hearsay, silence and deliberate deafness. It is the story of inaction with enormous consequences. The 2018 Man Booker Prize winner reissued with a bespoke Liberty fabric cover. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780571355075
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