, 86 pages, comes with 'Check List of New Verse 1963' booklet inserted
"synopsis" may belong to another edition of this title.
Sylvia Plath churned out her final poems at the remarkable rate of two or three a day, masterworks Robert Lowell describes as written by "hardly a person at all...but one of those super-real, hypnotic, great classical heroines." Even more remarkable, she wrote them during one of the coldest, snowiest winters (1962-63) Londoners have ever known. Snowbound, without central heating, she and her two children spent much of their time sniffling, coughing, or running temperatures (In "Fever 103°" she writes, "I have been flickering, off, on, off on. / The sheets grow heavy as a lecher's kiss."). Pipes froze, lights failed, and candles were unobtainable.
As if these physical privations weren't enough, Plath was out in the cold in another sense--her husband, Ted Hughes, had left her for another woman earlier that year. Despite all this (or perhaps because of it), the Ariel poems dazzle with their lyricism, their surprising and vivid imagery, and their wit. Rather than confining herself to her bleak surroundings, Plath draws from a wide array of experience. In "Berck-Plage," for instance, clouds are "electrifyingly-coloured sherbets, scooped from the freeze." In "The Night Dances," the poet stands crib-side, revelling in her son's own brand of do-si-do: "Such pure leaps and spirals--Surely they travel / The world forever, I shall not entirely / Sit emptied of beauties, the gift / Of your small breath..."
Though at times they present the reader with hopelessness laid bare, these poems also teem with the brightest shards of a life, confounding those who merely look for the words of a gloomy, dispassionate suicide. Plath rose each morning in the final months of her life to "that still blue, almost eternal hour before the baby's cry" and left us these words like "axes/After whose stroke the wood rings..." --Martha Silano
"Sylvia Plath's last poems have impressed themselves on many readers with the force of myth. They are among the handful of writings by which future generations will seek to know us and give us a name."-- "Critical Quarterly""It is fair to say that no group of poems since Dylam Thomas's "Deaths and Entrances" has had as vivid and disturbing an impact on English critics and readers as has "Ariel." Sylvia Plath's poems have already passed into legend as both representative of our present tone of emotional life and unique in their implacable, harsh brilliance...These poems take tremendous risks, extending Sylvia Plath's essentially austere manner to the very limit. They are a bitter triumph, proof of the capacity of poetry to give to reality the greater permanence of the imagined. She could not return from them."-- George Steiner, "The Reporter"
"About this title" may belong to another edition of this title.
Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Seller Inventory # 10373704-20
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0571070604I3N00
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0571070604I3N10
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0571070604I3N01
Seller: ThriftBooks-Dallas, Dallas, TX, U.S.A.
Hardcover. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less. Seller Inventory # G0571070604I4N00
Seller: Tony Power, Books, North Vancouver, BC, Canada
Hardcover. Condition: Very Fine. Dust Jacket Condition: Fine (pc). First Britisn Edition, Later printing. Very fine in a fresh, price-clipped else fine dustjacket. Fifth printing (1972) of the British edition, originally published in 1965. A superb copy. Seller Inventory # 010004
Seller: Orchard Bookshop [ANZAAB / ILAB], Adelaide, SA, Australia
Hardcover. Condition: Excellent. Dust Jacket Condition: Near Fine. 1st Edition. Early reprint of her most famous collection. Fifth Impression [Faber & Faber, London, 1972]; 86, [2 blank] pages; red cloth, gold titling to spine, "Easter 1974" written in ink on inside front board, 2x surface marks on fore-edge, an excellent copy; in like, price-clipped dustjacket, spine darkened, a few grubby marks, 1cm closed tear rear base, puncture near spine top on front. Written between publication of "The Colossus" & her death in 1963, this collection of poems established the Plath legacy. From the Melanie Smith Collection of Sylvia Plath. ISBN: 0 571 07060 4 / 0571070604. Catalogue code A5. Seller Inventory # 21640
Quantity: 1 available
Seller: Orchard Bookshop [ANZAAB / ILAB], Adelaide, SA, Australia
Hardcover. Condition: Fine. First Edition. Early reprint of her most famous collection. Fifth Impression [Faber & Faber, London, 1972]; 86, [2 blank] pages; red cloth, gold titling to spine, a fine copy; in excellent, unclipped dustjacket, spine slightly darkened, spine ends bumped with 5mm chip at base. Written between publication of "The Colossus" & her death in 1963, this collection of poems established the Plath legacy. From the Melanie Smith Collection of Sylvia Plath. Catalogue ref O5. ISBN: 0 571 07060 4 / 0571070604. Seller Inventory # 21841
Quantity: 1 available