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Synopsis
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
"synopsis" may belong to another edition of this title.
Review
The volumes have been carefully and critically edited from the original manuscripts and now the texts, which in each case capture large numbers of readings never before printed and clear away elements of corruption in existing editions, are as close to what Scott originally wrote as the skills of the editorial team can make them. The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of compostion and his financial manoeuvres. This edition is for anyone who takes Scott seriously. The Edinburgh Edition is essential to any Scott scholar![the student] will turn first to the superbly specific textual essays that follow the readings. Unique to this handsome edition is Scott's graphic depiction of characters from Edinburgh's literary scene. The latest additions to the monumental Edinburgh Edition of the Waverley Novels ! all three editors maintain consistently high quality in preparing what will surely be the standard edition of Scott's complete novels ! as might be expected, the Essays on the Text are of central importance in the editions, because of the minutely detailed yet lucid accounts of the textual choices made. The volumes have been carefully and critically edited from the original manuscripts and now the texts, which in each case capture large numbers of readings never before printed and clear away elements of corruption in existing editions, are as close to what Scott originally wrote as the skills of the editorial team can make them. The Edinburgh Edition respects Scott the artist by 'restoring' versions of the novels that are not quite what his first readers saw. Indeed, it returns to manuscripts that the printers never handled, as Scott's fiction before 1827 was transcribed before it reached the printshop. Each volume of the Edinburgh edition presents an uncluttered text of one work, followed by an Essay on the Text by the editor of the work, a list of the emendations that have been made to the first edition, explanatory notes and a glossary! The editorial essays are histories of the respective texts. Some of them are almost 100 pages long; when they are put together they constitute a fascinating and lucid account of Scott's methods of compostion and his financial manoeuvres. This edition is for anyone who takes Scott seriously. The Edinburgh Edition is essential to any Scott scholar![the student] will turn first to the superbly specific textual essays that follow the readings. Unique to this handsome edition is Scott's graphic depiction of characters from Edinburgh's literary scene. The latest additions to the monumental Edinburgh Edition of the Waverley Novels ! all three editors maintain consistently high quality in preparing what will surely be the standard edition of Scott's complete novels ! as might be expected, the Essays on the Text are of central importance in the editions, because of the minutely detailed yet lucid accounts of the textual choices made.
About the Author
Born and educated in Edinburgh, Walter Scott (1771-1832) is credited with establishing the form of the historical novel.
Claire Lamont is Professor of English Romantic Literature at University of Newcastle and series editor for Walter Scott in Penguin Classics.
P. D. Garside (editor) is Reader in English at University of Wales, Cardiff.
Jane Millgate is Professor of English at Victoria College, University of Toronto, Canada. She is the author of Walter Scott: The Making of the Novelist.
"About this title" may belong to another edition of this title.
- PublisherBiblioLife
- Publication date2008
- ISBN 10 0554616610
- ISBN 13 9780554616612
- BindingHardcover
- LanguageEnglish
- Number of pages232
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