Prince of the Blood: 1 (Riftwar Cycle: Krondor's Sons) - Softcover

Feist, Raymond E

Softcover

ISBN 10: 0553588117 ISBN 13: 9780553588118

Publisher: Spectra Books, 2005

Synopsis

Prince of the Blood is a work that explores strength and weakness, hope and fear, and what it means to be a man--in a kingdom where peace is the most precious commodity of all.

If there were two more impetuous and carefree men in the Kingdom of the Isles, they had yet to be found. Twins Borric and Erland wore that mantle proudly, much to the chagrin of their father, Prince Arutha of Krondor. But their blissful youth has come to an end. Their uncle, the King, has produced no male children. Bypassing himself, Arutha names Borric, the eldest twin by seconds, the Royal Heir. As his brother, Erland will have his own great responsibilities to shoulder. To drive home their future roles, Arutha sends them as ambassadors to Kesh, the most feared nation in the world. Borric and Erland will be presented to the Queen of Kesh--the single most powerful ruler in the known world--at her Seventy-fifth Jubilee Anniversary.

But they have not even left Krondor when an assassination attempt on Borric is thwarted. Aware that he is being provoked into war, Arutha does not rise to the bait. His sons' journey will not be deterred, for nothing less than peace is riding on it. Yet there is to be no peace for the young princes. When their traveling party is ambushed, Borric disappears and is presumed dead--sending Erland into spirals of rage and grief as he is forced to navigate alone the court intrigues at Kesh. But unbeknownst to anyone, Borric lives and has escaped his captors. In a strange land, with a price on his head, Borric must use all his wits and stamina to find his way back to his brother.

On separate paths, the two men--one a fugitive and one a future king--make their journey toward maturity, honor, and duty. For every step they take could sway the fragile peace of the land, as those who crave war rally against them--and become ever more daring.

About this title

Review:

‘A solid backdrop and engaging characters inhabit a well-rounded fantasy world’
PUBLISHER’S WEEKLY

From the Author:

When did you start writing?
If you mean when did I seriously start writing, that was in 1977, the year I graduated from University. I really got serious a year later which was when I took a rough coming-of-age story and started turning into Magician, my first published novel.

Where do you write?
I have a home office.

What are the pros and cons of being a writer?
The same as with any self-employment: you’re your own boss, you set your own schedule, you determine the quality of the product, etc. The downside is you have no corporate safety net, no unemployment insurance, no health care benefits, no retirement plan, so you bear responsibility for all of those things. It is not a job for the timid.

What writers have inspired you?
Too long a list to cover them all. Anything good, in one fashion or another influences. There are some very obvious names, to begin with: Shakespeare, Marlow, Dickens, the Russians, Twain, Melville, and some slightly less obvious, Sir Walter Scott, Robert Louis Stevenson, Alexander Dumas, Anthony Hope, and the other "boy’s adventure" authors. Also, historical authors like Mary Renault, Rosemary Suttcliff, and Thomas Costain. And the pulp authors: Arthur Conan Doyle, H. Ridder Haggard, A. Merrrit, and among fantasy writers, Fritz Lieber. Toss in as diverse a range of writers as Zane Grey and Louis L’amour in westerns to Dashel Hammett , Raymond Chandler, and John D. McDonald in mystery, to comedic writers like Max Schulman and Dan Jenkins. I could keep going, but that’s the tip of the iceberg.

How important is a sense of place in your writing?
Tough question to answer in brief; every element in a fantasy has to “make sense” to the reader. You can not condescend to your art because it’s “make believe,” so even though the place in which I set my work is a fantasy world, it has to feel “real” structurally, else the reader will ultimately be unhappy.

Do you spend a lot of time researching your novels?
Only enough to convince the reader the characters know what they’re doing. I don’t have to be the expert; I just need to be persuasive.

Do your characters ever surprise you?
All the time. In fact, as I get older, more and more often. I suspect this is a function of my subconscious coming up with better story notions than I had originally planned.

How much of your life and the people around you do you put into your books?
In specific, none of it; in general, all of it. The old saw is that writers write what they know. It’s like what actors call “sense memory.” You have to sell emotion and there has to be a foundation of validity or it will not work. How did it feel when you saw your book in print for the first time? A little disbelieving, and very pleased.

If you weren’t a writer, what would you be doing now?
Probably looking for a job, given this economy. My last one was in the health field as an administrator.

About this edition

• Publisher: Spectra Books
• Publication date: 2005
• ISBN 10: 0553588117
• ISBN 13: 9780553588118
• Binding: Mass Market Paperback
• Number of pages: 448