In the sequel to the "captivating"* Zig Zag Girl, DI Edgar Stephens and the magician Max Mephisto hunt for a killer after two children are murdered in a tragic tableau of a very grim fairy tale.
*Wall Street Journal
It's Christmastime in Brighton, and the city is abuzz about a local production of Aladdin, starring the marvelous Max Mephisto. But the holiday cheer is lost on DI Edgar Stephens. He's investigating the murder of two children, Annie and Mark, who were strangled to death in the woods, abandoned alongside a trail of candy--a horrifying scene eerily reminiscent of Hansel and Gretel.
Edgar has plenty of leads to investigate. Annie, a surprisingly dark child, used to write gruesome plays based on the Grimms' fairy tales. Does the key to the case lie in her unfinished final script? Or does the macabre staging of Annie and Mark's deaths point to the theater and the capricious cast of characters performing in Aladdin? Once again Edgar enlists Max's help in penetrating the shadowy world of the theater. But is this all just classic misdirection?
"synopsis" may belong to another edition of this title.
"An entertaining read and could be followed up with some of the author's other novels."--Historical Novel Society
"Griffiths' success with this series bodes well for future books...will continue to look for the name of Elly Griffiths, no matter which series she is writing."--Bookgasm
"A magician's misdirections may provide the clue that solves three murders in 1950s Brighton. DI Edgar Stephens and his team are desperately seeking two children who have gone missing. Twelve-year-old Mark Webster and his 13-year-old friend Annie Francis came home from school, went out to play, and vanished. When their snow-covered bodies are found, Stephens is desperate to find the killer. Along with sergeants Bob Willis and Emma Holmes, he canvasses the area, questioning everyone, including the owner of the sweets shop near the disappearance and the man the children call Uncle Brian, who has a theater set up in his garage. The investigation leaves Stephens scant time for his old friend Max Mephisto, a famous magician reduced to playing in a pantomime show on Brighton Pier, who wants to help. Not only did they serve together in World War II in a special group recruited by MI5 to fool the Germans, but Max helped Stephens solve a tough case (The Zig Zag Girl, 2015) when he first arrived to serve with the Brighton force. Annie, despite her lower-class background, was extremely bright and wrote plays that cast her friends and relatives. Stunning teacher Daphne Young encouraged her pupil's talent in adapting gruesome versions of fairy tales. But before she can reveal something she realizes may help the police, she's found strangled. Although the team follows every clue, including a possible tie to a 1912 theatrical murder, the solution remains tantalizingly out of reach. A dazzlingly tricky mystery, oddball characters, and an authentic feel for life in post-World War II England."--Kirkus
Praise for the Magic Men Mysteries
Absorbing . . . Another great series. San Jose Mercury News
Thoroughly enjoyable. Guardian
Clever, immensely likeable. Wall Street Journal
Enormously engaging. Daily Mail
Original, lively, and gripping. Independent
A wild ride full of mayhem, magic and murder. Absolute
Excellent . . . Evoking both the St. Mary Mead of Agatha Christie and the theater world of Ngaio Marsh. Booklist
Suspenseful. Publishers Weekly"
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