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Synopsis
Several generations before Schubert, the Lied emerged as domestic entertainment destined to move beyond the home to the symphony hall. This introductory chronicle of this fascinating genre analyzes the Lied in its musical, literary, and cultural contexts--with chapters devoted to focal composers; influence of the Lied on other musical genres; use as a musical commodity and issues of performance. The volume includes a chronology and a comprehensive bibliography.
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About the Author
James Parsons is Associate Professor of Music History at Southwest Missouri State University in Springfield, Missouri. He is the author of numerous essays on German song, including the article on the eighteenth-century Lied for the second edition of The New Grove Dictionary of Music and Musicians. His article ''Deine Zauber binden wieder': Beethoven, Schiller, and the Joyous Reconciliation of Opposites', recently was published in Beethoven Forum, (2002) 9/1, 1-53. Other essays have appeared in The Journal of the American Musicological Society and Music Analysis.
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The Cambridge Companion to the Lied (Cambridge Companions to Music)
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