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Plots and Counterplots: Sexual Politics and the Body Politic in English Literature, 1660-1730: 18 (Cambridge Studies in Eighteenth-Century English Literature and Thought, Series Number 18) - Softcover

 
9780521619301: Plots and Counterplots: Sexual Politics and the Body Politic in English Literature, 1660-1730: 18 (Cambridge Studies in Eighteenth-Century English Literature and Thought, Series Number 18)

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Richard Braverman's study of literary and political plots looks at the ways in which the rhetoric of seventeenth- and eighteenth-century dynastic politics finds its formal expression in narrative evocations of the family romance. Its point of departure is the political conflict that led to the rupture between crown and parliament in the earlier seventeenth century, and the ensuing quest for a discourse that might bridge the division. Beginning with the restoration of the monarchy in 1660 and ending with the rise of oligarchy in the 1720s, it traverses a wide literary territory, from royalist lyrics celebrating the Restoration, to Butler, Marvell, Etherege, Dryden, Congreve, Defoe and Thomson, amongst others. Covering an equally broad range of genres, including satire, tragedy, comedy, romance, georgic and the novel, Braverman's argument is focused by the notion of sexual politics, offering an idiom in which to address the larger framework of dynastic politics.

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Book Description

This study relates literary and political plots in the seventeenth and eighteenth centuries, through the notion of sexual politics. From the restoration in 1660 to the rise of oligarchy in the 1720s, it traverses a wide range of authors and literary genres, including satire, tragedy, comedy, romance, georgic and the novel.

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  • PublisherCambridge University Press
  • Publication date2008
  • ISBN 10 0521619300
  • ISBN 13 9780521619301
  • BindingPaperback
  • LanguageEnglish
  • Number of pages352

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9780521356206: Plots and Counterplots: Sexual Politics and the Body Politic in English Literature, 1660–1730 (Cambridge Studies in Eighteenth-Century English Literature and Thought, Series Number 18)

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Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Cambridge studies in eighteenth-century English literature and thought, 18] Contents: Political plottings: history, sexual politics, adn the body politic -- Counterplotting restoration: widows and other fatal women -- The plots thicken: dogma and its discontents through exclusion -- Revolutionary plottings: from whig myth to revisionary history -- Whigs and husbands: politics and cultivation -- Coda: cultural politics from the Sout Sea Bubble to Tom Jones. 225 x 150 mm. xviii, 333 pp. [ISBN: 978-0521619301] Hardbound. A very good bright copy free from ownership inscriptions in like dustwrapper. Seller Inventory # 32988

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Paperback. Condition: new. Paperback. Richard Braverman's study of literary and political plots looks at the ways in which the rhetoric of seventeenth- and eighteenth-century dynastic politics finds its formal expression in narrative evocations of the family romance. Its point of departure is the political conflict that led to the rupture between crown and parliament in the earlier seventeenth century, and the ensuing quest for a discourse that might bridge the division. Beginning with the restoration of the monarchy in 1660 and ending with the rise of oligarchy in the 1720s, it traverses a wide literary territory, from royalist lyrics celebrating the Restoration, to Butler, Marvell, Etherege, Dryden, Congreve, Defoe and Thomson, amongst others. Covering an equally broad range of genres, including satire, tragedy, comedy, romance, georgic and the novel, Braverman's argument is focused by the notion of sexual politics, offering an idiom in which to address the larger framework of dynastic politics. Richard Braverman's study of literary and political plots looks at the ways in which the rhetoric of seventeenth- and eighteenth-century dynastic politics finds its formal expression in narrative evocations of the family romance. Its point of departure is the political conflict that led to the rupture between crown and parliament in the earlier seventeenth century, and the ensuing quest for a discourse that might bridge the division. Beginning with the restoration of the monarchy in 1660 and ending with the rise of oligarchy in the 1720s, it traverses a wide literary territory, from royalist lyrics celebrating the Restoration, to Butler, Marvell, Etherege, Dryden, Congreve, Defoe and Thomson, amongst others. Covering an equally broad range of genres, including satire, tragedy, comedy, romance, georgic and the novel, Braverman's argument is focused by the notion of sexual politics, offering an idiom in which to address the larger framework of dynastic politics. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780521619301

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Paperback. Condition: new. Paperback. Richard Braverman's study of literary and political plots looks at the ways in which the rhetoric of seventeenth- and eighteenth-century dynastic politics finds its formal expression in narrative evocations of the family romance. Its point of departure is the political conflict that led to the rupture between crown and parliament in the earlier seventeenth century, and the ensuing quest for a discourse that might bridge the division. Beginning with the restoration of the monarchy in 1660 and ending with the rise of oligarchy in the 1720s, it traverses a wide literary territory, from royalist lyrics celebrating the Restoration, to Butler, Marvell, Etherege, Dryden, Congreve, Defoe and Thomson, amongst others. Covering an equally broad range of genres, including satire, tragedy, comedy, romance, georgic and the novel, Braverman's argument is focused by the notion of sexual politics, offering an idiom in which to address the larger framework of dynastic politics. Richard Braverman's study of literary and political plots looks at the ways in which the rhetoric of seventeenth- and eighteenth-century dynastic politics finds its formal expression in narrative evocations of the family romance. Its point of departure is the political conflict that led to the rupture between crown and parliament in the earlier seventeenth century, and the ensuing quest for a discourse that might bridge the division. Beginning with the restoration of the monarchy in 1660 and ending with the rise of oligarchy in the 1720s, it traverses a wide literary territory, from royalist lyrics celebrating the Restoration, to Butler, Marvell, Etherege, Dryden, Congreve, Defoe and Thomson, amongst others. Covering an equally broad range of genres, including satire, tragedy, comedy, romance, georgic and the novel, Braverman's argument is focused by the notion of sexual politics, offering an idiom in which to address the larger framework of dynastic politics. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780521619301

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Condition: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. This study relates literary and political plots in the seventeenth and eighteenth centuries, through the notion of sexual politics. From the restoration in 1660 to the rise of oligarchy in the 1720s, it traverses a wide range of authors and literary genres,. Seller Inventory # 446942490

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Taschenbuch. Condition: Neu. Druck auf Anfrage Neuware - Printed after ordering - Richard Braverman's study of literary and political plots looks at the ways in which the rhetoric of seventeenth- and eighteenth-century dynastic politics finds its formal expression in narrative evocations of the family romance. Its point of departure is the political conflict that led to the rupture between crown and parliament in the earlier seventeenth century, and the ensuing quest for a discourse that might bridge the division. Beginning with the restoration of the monarchy in 1660 and ending with the rise of oligarchy in the 1720s, it traverses a wide literary territory, from royalist lyrics celebrating the Restoration, to Butler, Marvell, Etherege, Dryden, Congreve, Defoe and Thomson, amongst others. Covering an equally broad range of genres, including satire, tragedy, comedy, romance, georgic and the novel, Braverman's argument is focused by the notion of sexual politics, offering an idiom in which to address the larger framework of dynastic politics. Seller Inventory # 9780521619301

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