Michelangelo Red Antonioni Blue: Eight Reflections on Cinema

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9780520266865: Michelangelo Red Antonioni Blue: Eight Reflections on Cinema
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Michelangelo Antonioni, who died in 2007, was one of cinema's greatest modernist filmmakers. The films in his black and white trilogy of the early 1960s - "L'avventura," "La Notte," "L'eclisse" -are justly celebrated for their influential, gorgeously austere style. But in this book, Murray Pomerance demonstrates why the color films that followed are, in fact, Antonioni's greatest works. Writing in an accessible style that evokes Antonioni's expansive use of space, Pomerance discusses "The Red Desert," "Blow-Up," "Professione: Reporter (The Passenger)," "Zabriskie Point," "Identification of a Woman," "The Mystery of Oberwald," "Beyond the Clouds," and "The Dangerous Thread of Things" to analyze the director's subtle and complex use of color. Infusing his open-ended inquiry with both scholarly and personal reflection, Pomerance evokes the full range of sensation, nuance, and equivocation that became Antonioni's signature.

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Review:

"Superb, one-of-a-kind volume. . . . required reading for anyone interested in Antonioni's life and work."--W. W. Dixon"Choice" (06/29/2011)

About the Author:

Murray Pomerance is Professor of Sociology and Media Studies at Ryerson University. He is the author of Johnny Depp Starts Here, An Eye for Hitchcock, and Film Experience Beyond Narrative and Theory, among many books.

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9780520258709: Michelangelo Red Antonioni Blue: Eight Reflections on Cinema

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ISBN 10:  0520258703 ISBN 13:  9780520258709
Publisher: University of California Press, 2011
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Book Description University of California Press, United States, 2011. Paperback. Condition: New. Language: English. Brand new Book. Michelangelo Antonioni, who died in 2007, was one of cinema's greatest modernist filmmakers. The films in his black and white trilogy of the early 1960s - "L'avventura," "La Notte," "L'eclisse" -are justly celebrated for their influential, gorgeously austere style. But in this book, Murray Pomerance demonstrates why the color films that followed are, in fact, Antonioni's greatest works. Writing in an accessible style that evokes Antonioni's expansive use of space, Pomerance discusses "The Red Desert," "Blow-Up," "Professione: Reporter (The Passenger)," "Zabriskie Point," "Identification of a Woman," "The Mystery of Oberwald," "Beyond the Clouds," and "The Dangerous Thread of Things" to analyze the director's subtle and complex use of color. Infusing his open-ended inquiry with both scholarly and personal reflection, Pomerance evokes the full range of sensation, nuance, and equivocation that became Antonioni's signature. Seller Inventory # AAZ9780520266865

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Book Description University of California Press, United States, 2011. Paperback. Condition: New. Language: English. Brand new Book. Michelangelo Antonioni, who died in 2007, was one of cinema's greatest modernist filmmakers. The films in his black and white trilogy of the early 1960s - "L'avventura," "La Notte," "L'eclisse" -are justly celebrated for their influential, gorgeously austere style. But in this book, Murray Pomerance demonstrates why the color films that followed are, in fact, Antonioni's greatest works. Writing in an accessible style that evokes Antonioni's expansive use of space, Pomerance discusses "The Red Desert," "Blow-Up," "Professione: Reporter (The Passenger)," "Zabriskie Point," "Identification of a Woman," "The Mystery of Oberwald," "Beyond the Clouds," and "The Dangerous Thread of Things" to analyze the director's subtle and complex use of color. Infusing his open-ended inquiry with both scholarly and personal reflection, Pomerance evokes the full range of sensation, nuance, and equivocation that became Antonioni's signature. Seller Inventory # AAZ9780520266865

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Book Description University of California Press, 2011. Condition: New. Michelangelo Antonioni, who died in 2007, was one of cinema's greatest modernist filmmakers. This book demonstrates why the color films that followed are, in fact, Antonioni's greatest works. It discusses "The Red Desert," "Blow-Up," "Professione: Reporter (The Passenger)," and others to analyze the director's subtle and complex use of color. Num Pages: 320 pages, 12 color illustrations. BIC Classification: APFB. Category: (P) Professional & Vocational. Dimension: 227 x 150 x 21. Weight in Grams: 460. Eight Reflections on Cinema. 320 pages, illustrations. Michelangelo Antonioni, who died in 2007, was one of cinema's greatest modernist filmmakers. This book demonstrates why the color films that followed are, in fact, Antonioni's greatest works. It discusses "The Red Desert," "Blow-Up," "Professione: Reporter (The Passenger)," and others to analyze the director's subtle and complex use of color. Cateogry: (P) Professional & Vocational. BIC Classification: APFB. Dimension: 227 x 150 x 21. Weight: 460. . 2011. 0th Edition. Paperback. . . . . . Seller Inventory # V9780520266865

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