Limbo: Blue-Collar Roots, White-Collar Dreams

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9780471714392: Limbo: Blue-Collar Roots, White-Collar Dreams
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In Limbo, award-winning journalist Alfred Lubrano identifies and describes an overlooked cultural phenomenon: the internal conflict within individuals raised in blue-collar homes, now living white-collar lives. These people often find that the values of the working class are not sufficient guidance to navigate the white-collar world, where unspoken rules reflect primarily upper-class values. Torn between the world they were raised in and the life they aspire too, they hover between worlds, not quite accepted in either. Himself the son of a Brooklyn bricklayer, Lubrano informs his account with personal experience and interviews with other professionals living in limbo. For millions of Americans, these stories will serve as familiar reminders of the struggles of achieving the American Dream.

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Lubrano′s view of the challenges that upwardly mobile children of blue–collar families (he calls them Straddlers) face in establishing themselves in white–collar enclaves could spark lively debates among Straddlers themselves, not to mention those Lubrano views as having a head start based on birth into a white–collar family. In this combination of memoir and survey, the Philadelphia Inquirer staff reporter recalls his freshman year at Columbia; he′d expected classmates to regard him as sophisticated because he was a New Yorker. However, this son of a Brooklyn bricklayer found himself on the outside of elite cliques populated by men he characterizes as "pasty, slight fellas–all of them seemed 5–foot–7 and sandy–haired." This was only the beginning for Lubrano, who came to see entry into a select educational institution as a harsh cultural dividing line between his blue–collar upbringing and his white–collar future. Becoming a journalist cost him emotionally when he felt torn between abandoning cherished values from his youth and accommodating his new profession′s demands. Lubrano′s interviews with other Straddlers have convinced him that ambition puts many of them in positions f raught with similar ambivalence and unexpected culture shock. With quotes from Richard Rodriguez and bell hooks, Lubrano illustrates his thesis: "Limbo folk remain aware of their ′otherness′ throughout their lives [and remain] perpetual outsiders." Yet he′s quick to recognize individual Straddlers who′ve persevered in the face of those outsider feelings (though, regrettably, he doesn′t share self–reflection). Straddlers′ ultimate challenge, Lubrano opines, is to be as steadfast and self–possessed in reconciling their white–collar present with their blue–collar heritage as they have been in achieving their professional goals. Agent, David Vigliano. (Nov.)
Forecast: A national advertising and publicity campaign and co–promotions with the Philadelphia Inquirer and NPR should attract readers who′ve experienced the duality Lubrano describes. ( Publishers Weekly, July 28, 2003)

An award–winning reporter with the Philadelphia Inquirer and commentator for National Public Radio, he owns 11 backyard–bred horses on a farm in South Jersey: "I hold our chestnut yearling Beau Soleil as a friend French braids his blond mane in preparation for his Devon debut," he reports. Life is good–but that′s the problem: Lubrano cannot reconcile his father′s being a construction worker with his becoming an aflluent professional. The result is Limbo, a stringing together of Lubrano′s and others′ thoughts on the pain of straddling two different worlds. Lubrano′s journalism background apparently precludes any sociological methodology: the narrative is full of broad generalizations with little substantiation. One may wonder what country Lubrano was born in: aren′t most Americans of a "hybrid class"? Don′t most parents aspire to have their children exceed their own station in life? And what about the current glut of unemployed graduates? Now there′s a problem. My advice: Lubrano should stop kvetching, and librarians should save their money for Sherry B. Ortner′s New Jersey Dreaming: Capital, Culture, and the Class of ′58, which explores the forces that influenced the author′s classmates′ lives after graduation. Many of them went from blue–collar families to the middle class, but Ortner analyzes the phenomenon with scholarly expertise rather than bemoaning it. Ellen D. Gilbert, Princeton, NJ (Library Journal, October 1, 2003)

One of the lies we tell ourselves, as a nation, is that there are no real class boundaries here – or, at least, none that can′t be overcome by determination and hard work. Anyone can be president, right? That′s why we′ve had so many working–class presidents over the years, so many vice presidents from the ghetto, so many cabinet secretaries from the barrio and the hollow, so many Supreme Court justices whose fathers were plumbers.
With another presidential election clicking into gear, the issue of class is sure to be raised, but it will be quickly doused by one millionaire candidate or another saying something like: "Now, now, no one wants a class war in America." True, no one wants a class war. In fact, we want so badly to avoid a class war that we′re afraid even to initiate the kinds of national discussions we′ve managed to have about race, gender and sexuality. Part of this comes from the fact that the poor and working classes have no voice in the American media elite. Part of it is more subtle: Though the law offers equal opportunity to members of the lower classes, there are enormous psychological barriers to upward mobility, and, often, an enormous price to be paid by those who overcome them.
In Limbo, his brilliant examination of people who have climbed from the poor or working classes into the middle and upper classes, Alfred Lubrano knocks down one of the walls that keep the class issue out of sight and earshot, and floods the subject with light. Born to a tough, kind Brooklyn bricklayer and a knowledge–hungry housewife, Lubrano now lives on a horse farm, is a reporter for The Inquirer, and does commentary for National Public Radio, so he knows the joys and perils of this climb, and writes about them with an authority unavailable to someone merely making an academic study.
Limbo is a pitch–perfect interweaving of his own story – as neighborhood kid, Columbia scholarship student, newspaper reporter – with the stories of others who have made a similar journey. Some of the others, such as writers Richard Rodriguez and Dana Gioia, are well known. All are successful – surgeons, professors, executives, lawyers, teachers. And, beneath the business suits and degrees, all of them carry histories that reach back to the mean streets, the factories and farms, the dinner tables and bars at which their unschooled parents and less talented, less ambitious, or simply more frightened peers talked to them about the snobbery of the well–educated and well–off. "This book," Lubrano writes, "is a step toward understanding what people gain and what they leave behind as they move from the working class to the middle class."
We already have an idea what they gain – nicer homes, cars and vacations, safer schools for their kids, safer jobs for themselves. But Lubrano wisely gives equal time to what they leave behind – the directness and authenticity of their hardworking relatives; the rough, honest humor of their peers; a humility and a courage born of daily discomfort.
"Much about working–class life is admirable and fine," Lubrano writes. "The trick is to avoid glorifying it without painting life in it too darkly." So he gives us the racism, sexism and small–mindedness, too, the crippling envy and pettiness, all the things that pushed his aptly named "Straddlers" out of the old neighborhood in the first place.
After the Straddlers have earned their degrees, moved away from the familiar streets, and embarked on the types of careers their parents once spoke about with envy or disdain, they face challenges parallel to those faced by immigrants to the land of plenty. Lubrano details those challenges in chapters on the workplace, dating, marriage and child–rearing. His research is extensive, and the stories he elicits from interviewees are touching and raw.
There is the woman who loses on purpose while playing Scrabble with her less–well–educated mother; a young man who spends months carefully talking his closed–minded father into letting him go to college. Lubrano presents their stories sympathetically, linked to them as he is by his own uncomfortable adjustment to the bright new world of American success: "I often feel inhabited by two people who don′t speak to each other."
That duality will be intimately familiar to readers who have moved from humble backgrounds well up into the middle class, from Campbell′s soup to sushi, from stifling apartments to summer homes, from a sweaty tribal comfort to an anxious open–mindedness. But this book is too good and too important to be limited to a narrow audience. In Limbo, Alfred Lubrano has said something fresh and true about our simplistic myth of upward mobility, and in doing so he has illuminated the panoply of fear, hope, envy, courage and sacrifice that lies at the very heart of the American dream. (The Philadelphia Inquirer, November 2, 2003)

"Hopefully, this superbly written book will give voice to the millions who have to make this transition...." (San Francisco Chronicle, November 2, 2003)



"Hopefully, this superbly written book will give voice to the millions who have to make this transition...." ( San Francisco Chronicle, November 2, 2003)

"...this book is too good and too important to be limited to a narrow audience." (The Philadelphia Inquirer, November 2, 2003)

From the Back Cover:

A groundbreaking work of narrative nonfiction

This powerful book uncovers a cultural phenomenon--the limboexistence of people raised in blue-collar families, livingwhite-collar lives. Limbo presents a thoughtful look at thisphenomenon through the author's personal story, and those of 100interviewees, all struggling with the duality that exists in theirworkplaces, their hearts, and their minds.

"In Limbo, people straddle two social zones . . . The future isnever assured when you come from a house of rough hands. There aremany profound opinions in this major newspaperman'sreporting."
--Jimmy Breslin Pulitzer Prize-winning journalist andauthor of The Short Sweet Dream of Eduardo Gutierrez

"If you have any bloodlines at all to the working class, youwill recognize--and newly discover--yourself in AlfredLubrano's inspired book. Limbo brings to life the minefieldcrossover from the blue-collar world to the white-collar one inprose that is at once trout-stream clear and luminous. It's thevery American, real-as-a-streetfight story of a bricklayer's son'sown uneasy journey out of Bensonhurst woven movingly with thejourneys of a legion of other 'Straddlers.' Don't pass this gemby."
--Sydney Schanberg Pulitzer Prize-winning journalist andauthor of The Death and Life of Dith Pran

"Al Lubrano is a great reporter and the kind of writer whosework is infused with both thought and feeling. He has chosen here agreat and often overlooked subject, the role of class in modernAmerican society, and has produced a book rich with insight intoboth his own life and all our lives. If you are like me, you willnod your head with recognition throughout."
--Mark Bowden author of Black Hawk Down and Killing Pablo

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