The supreme problem of every age is that of finding its consummate artistic expression. Before this problem every other remains of secondary importance. History defines and directs its physical course, science cooperates in the achievement of its material aims, but Art alone gives to the age its spiritual physiognomy, its ultimate and lasting expression. The process of Art is on the one hand sensuous, the conception having for its basis the fineness of organization of the senses; and on the other hand it is severely scientific, the value of the creation being dependent upon the craftsmanship, the mastery over the tool, the technique. Art, like Nature, its great and only reservoir for all time past and all time to come, ever strives for elimination and selection. It is severe and aristocratic in the application of its laws and impervious to appeal to serve other than its own aims. Its purpose is the symbolization of Life. In its sanctum there reigns the silence of vast accomplishment, the serene, final, and imperturbable solitude which is the ultimate criterion of all great things created.
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‘The best single volume of Rilke available in English’ Boston Review
Rainer Maria Rilke (1875 - 1926) is one of the greatest German-language poets of the twentieth century, famed for his lyrical intensity. Born in Prague in 1875, Rilke travelled extensively throughout Europe at the turn of the twentieth century and became deeply involved in the Modernist movement, working with the sculptor Auguste Rodin. His most famous poems are Sonnets to Orpheus and The Duino Elegies, and in prose he is most remembered for Letters to a Young Poet and The Notebooks of Malte Laurids Brigge. He died of leukemia in Switzerland on 29 December 1926.
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