Reissued in trade format with a new introduction, The Architecture of Humanism offers a brilliant analysis of the theories and ideas behind much of nineteenth- and twentieth-century architecture. It discusses the classical tradition as reflected in the architecture of Renaissance and Baroque Italy and the role given the human body in that tradition. It is recommended reading for all architecture students, and essential for those interested in the revival of classical architecture.
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A new edition of this minor classic of architectural criticism is welcome not only because it is still worth reading but also because it is so apposite, for the architectural situation a hundred years ago was similar to our own. . . .In a period such as our own, where architecture is so dominated by conceptual interpretations, by a seemingly endless succession of -isms, it is useful to be reminded that buildings are--or should be-- made to be experienced and enjoyed.--Witold Rybczynski
When this work appeared in 1914 it evoked a heated discussion. Geoffrey Scott offers an analysis of the theories behind 19th- and 20th-century architecture. He discusses the classical tradition as reflected in the architecture of Renaissance and Baroque Italy and the role given the human body in that tradition. The book was written while Scott was living in Italy where he absorbed the classical tradition, which he saw as the main stream of Western art, and became aware that the stream had been clouded by man whose ideas were derived from sources outside art. These ideas, from which the dominant concepts of contemporary art are derived, Scott put into perspective by calling "fallacies". Thus he throws into question the ideas which we accept without reflection.
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Paperback. Condition: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 0.7. Seller Inventory # G0393730352I4N00
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Seller: Seattle Goodwill, Seattle, WA, U.S.A.
paperback. Condition: Acceptable. Pages include notes, underlining, or highlighting. May have some shelf-wear due to normal use. Your purchase funds free job training and education in the greater Seattle area. Thank you for supporting Goodwill's nonprofit mission! Seller Inventory # 0KVOVP0052Q7_ns
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Seller: Classic Books and Ephemera, IOBA, Lansdowne, PA, U.S.A.
Paperback. Condition: Near Fine. With a new introductory Essay by Paul Barolsky and an expanded portfolio of illustrations compiled by Henry Hope Reed. xx, [3], 12-194 p., [34] unpaginated pages of illustrations; 20 cm. Paperback with illustrated cover. In Near Fine Condition: cover is lightly rubbed; clean and tight. Seller Inventory # 011106
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Seller: THE CROSS Art + Books, Sydney, NSW, Australia
19.5cm x 13cm b&w illust very good paperback & cover This book offers a clear analysis of the theories and ideas behind 19th and 20th century architecture. It contains a discussion of the classical tradition as reflected in the architecture of Renaissance and Baroque Italy. New introduction by Paul Barolsky. Seller Inventory # 30096912
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Seller: Better World Books, Mishawaka, IN, U.S.A.
Condition: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages. Seller Inventory # 4598275-6
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Seller: WorldofBooks, Goring-By-Sea, WS, United Kingdom
Paperback. Condition: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR005860199
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Seller: William Glynn, Reydon, United Kingdom
Card Covers. Condition: Very Good. New Edition. xx., 194 pages, 45 b/w illustrations. Foreword by Henry Hope Reed, introduction by Paul Barolsky. Minor wear, unmarked. [734] Size: 205mm. x 140mm. Book. Seller Inventory # 017828
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