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Night Train (Vintage International) - Softcover

 
9780375701146: Night Train (Vintage International)
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Detective Mike Hoolihan has seen it all. A 15-year veteran of the force, she's gone from walking a beat, to robbery, to homicide. But one case--this case--has gotten under her skin. When Jennifer Rockwell, darling of the community and daughter of a respected career cop--now top brass--takes her own life, no one is prepared to believe it. Especially her father, Colonel Tom. Homicide Detective Mike Hoolihan, longtime colleague and friend of Colonel Tom, is ready to "put the case down." Suicide. Closed. Until Colonel Tom asks her to do the one thing any grieving father would ask: take a second look.

Not since his celebrated novel "Money" has Amis turned his focus on America to such remarkable effect. Fusing brilliant wordplay with all the elements of a classic whodunit, Amis exposes a world where surfaces are suspect (no matter how perfect), where paranoia is justified (no matter how pervasive), and where power and pride are brought low by the hidden recesses of our humanity.

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Review:
On a beautiful night in a second-tier American city, a beautiful astrophysicist with the proverbial "everything to live for" shoots herself dead with a .22. Tough-talking detective Mike Hoolihan, quickly summoned to the scene, has witnessed every sort of victim: "Jumpers, stumpers, dumpers, dunkers, bleeders, floaters, poppers, bursters." But this case is different. Mike has known the young woman for years--she's the daughter, it turns out, of Mike's mentor, Colonel Tom Rockwell. And the colonel is desperate to find a perp, despite massive evidence to the contrary. In Night Train, Martin Amis has fixed his sights on the American female--with a difference. Mike is in fact a woman--a hulking, chain-smoking, deep-voiced alcoholic who comes complete with a squalid family background and a none-too- happy foreground. She even lives in a building next to the night train and can't survive without her tape with eight different versions of the R & B "hymn to the low rent".

Did this novel begin as narrative flexing, yet another test the talented author--and number-one Elmore Leonard fan--wanted to pose to himself? If so, he has passed with flying colours. True, Mike's search occasionally pushes her up against pulp pathos, but mostly the genre keeps Amis true. "Police are pretty blasé about ballistics. Remember the Kennedy assassination and 'the magic bullet'? We know that every bullet is a magic bullet. Particularly the .22 roundnose. When a bullet enters a human being, it has hysterics. As if it knows it shouldn't be there." Mike spends her time weighing the evidence, wishing it would point to murder, and letting us in on some current police realities. Whatever television tells us, in real life (not to mention postmodern crime fiction) there's no neat solution. Even that old standard, the good cop-bad cop approach, no longer works: "It's not just that Joe Perp is on to it, having seen good cop-bad cop a million times on reruns of Hawaii Five- O. The only time bad cop was any good was in the old days, when he used to come into the interrogation room every ten minutes and smash your suspect over the head with the yellow pages." With such discourses, Amis is stretching the rubber band of his book's realism. But in the end, all his fancy footwork doesn't stop us from admiring and pitying his heroine, and hoping she won't board the ultimate night train: suicide.

Review:
"A dazzling smart-bomb of a novel that whistles into the police-procedural structure only to blow it to bits.... [Amis] proves he can do autopsies as clinically as Patricia Cornwell and female detectives as convincingly as Lynda La Plante."
--Wall Street Journal

"A virtuoso performance.... Amis has created a quicksilver narrative that grabs the reader and refuse to let go."
--New York Times

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  • PublisherVintage
  • Publication date1999
  • ISBN 10 0375701141
  • ISBN 13 9780375701146
  • BindingPaperback
  • Number of pages176
  • Rating

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