The demented Army Air Force of Catch-22, the lethal business world of Something Happened, the dysfunctional family of Good as Gold-all these, we have assumed, had their roots in Joseph Heller's own past. Now, more than thirty-five years after the explosion of Catch-22 into the world's consciousness, Heller gives us his life.
Here is his Coney Island childhood, down the block from the world's most famous amusement park. It was the height of the Depression, it was a fatherless family, yet little Joey Heller had a terrific time--on the boardwalk, in the ocean (dangerously out of his depth), playing follow-the-leader in and out of local bars, even in school. Then a series of jobs, from delivering telegrams (on his first bike) to working in a navy yard-until Pearl Harbor, the air force, Italy. And after the war, college (undreamed-of before the G.I. Bill), teaching, Madison Avenue, marriage, and-always-writing. And finally the spectacular success of Catch-22, launching one of the great literary careers.
The strengths of Now and Then lie in the energy, humor, and mischief that have characterized all of Heller's work, along with the dark undertones that lie beneath them. He brings back a Coney Island that is not only a symbol of fun and fantasy around the world but a vision of what seems today to have been a golden age of carefree innocence. For the first time, he writes about the people and the events, both tragic and hilarious, he was eventually to translate, in Catch-22, into such memorable characters as Hungry Joe, Orr, Major--de Coverley, Natel's whore, and (of course) Yossarian, and such moving and frightening scenes as the death of Snowden. Now and Then is both an account of aremarkable life and a glimpse into the creative process of a major American writer.
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Catch-18 was the intended title of Joseph Heller's most famous novel, Catch-22, which the author renamed to avoid confusion with Leon Uris's bestseller Mila 18. It's hard now to imagine anyone ever mistaking a single line written by Heller for the work of someone else; his atmospheric new memoir grabs readers' attention with the same plain, powerful prose; blunt, but oddly tender, humour; and striking ability to recreate a particular time and place that distinguishes all his fiction.
The brief, haunting section on his air force service confirms that Heller drew on his own experiences for Catch-22. But it's his boyhood home, Brooklyn's Coney Island in the 1920s and 1930s, that prompts Now and Then's best pages. You can practically taste the cheap ice cream and hot knishes, hear the shrieks of kids on the amusement park's hurtling rides, see the facades of long-demolished apartment buildings and smell the sand- and-salt odour wafting from the beach. The dignity and emotional reticence of Heller's widowed mother, the security he felt in an impoverished but safe immigrant neighbourhood, come to life just as vividly.
Scattered anecdotes about famous friends (including Irwin Shaw and James Jones) are also evocative, and occasional comments about his novels' themes reveal Heller to be a better self-critic than most writers. But it's his affectionate tribute to a vanished New York that most clearly displays this popular author's narrative skills and engaging personality.--Wendy Smith
" Lovely, the best writing Heller has done since the book that made him famous.... A joy." --Washington Post Book World
" Mouthwatering, elegantly written, lovingly detailed." --The New York Times Book Review
" A lovely, moving, affirming, celebratory work of courage, clarity, insight and joy." --The Sun [Baltimore]
"Lovely, the best writing Heller has done since the book that made him famous.... A joy." --Washington Post Book World
"Mouthwatering, elegantly written, lovingly detailed." --The New York Times Book Review
"A lovely, moving, affirming, celebratory work of courage, clarity, insight and joy."--The Sun [Baltimore]"
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