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How these wildly different individuals converge is only one of The Missing World 's many exhilarations. Livesey slowly, tantalizingly has her characters reveal themselves as they bump up against reality. She also has an eye--and a perfect ear--for evasions and illusion. Jonathan is particularly adept at turning wish fulfilment into an extreme sport, convincing himself that subterfuge is the only way to go:
He wanted Hazel better, of course, but wasn't that like desiring his own banishment? What he really wanted was for her to recover not merely from the accident but from the delusions that had carried her away from him.
Energy, as Blake puts it, is eternal delight, and with its plethora of farcical entrances and exits, The Missing World has energy to burn. Yet just as often Livesey conquers by oddball understatement. Emerging from her coma, Hazel "opened her eyes and gazed up at the four of them. The colour of her irises had deepened, as if the long twilight of the last week had taken up permanent residence in her brain." With her predilection for the narrative ambush, Livesey has been likened to PD James and Patricia Highsmith--but she may even exceed these grandes dames in this brilliant exploration of where devotion ends and danger begins. --Kerry Fried, Amazon.com
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