Conjure is Michael Donaghy’s third collection, and his most accomplished to date, displaying the same trademark elegance, sleight of hand and philosophical wit that have established his reputation as a ‘poet’s poet’.
But while these poems time their feints and punches as well as ever, often the poet’s guard is deliberately kept down: Conjure’s elegies and disappearing acts, love songs and tortuous journeys represent the most challenging, vulnerable and moving work Donaghy has yet written.
‘Among the finest American poets of his generation’ Robert McPhillips
‘The artistry of Donaghy’s work seems to me exemplary’ Sean O’Brien
‘The fine-tuned precision of a twelve-speed bike’ Alfred Corn
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and where I've hoped to hear my name gasped out, from cradle, love bed, death bed, there instead I catch her voice, her broken lisp, his name.It would be very difficult for any poet to sustain this very high quality of writing, and Donaghy doesn't. Later on in Conjure there is more than one insubstantial lyric, the odd bit of hack writing, some shorter verses that could have been excluded. But just when you are getting wearied Donaghy throws up another absolute gem, another breathtaking poem which sparkles with his tell-tale wit, demotic bathos, verbal dexterity, emotional candour, pure lyrical style and formal diversity. --Sean Thomas
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