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From Longman's Cultural Editions series, Wuthering Heights, edited by Alison Booth, presents Emily Bronte’s haunting, brilliant novel freshly edited, smartly annotated, and illuminated by various contexts. This illustrated edition is unique in locating Wuthering Heights in its region as well as period, while it follows every phase of the Brontė renown, from tourism to adaptations, from early reviews to recent critical trends.
"synopsis" may belong to another edition of this title.
Review:
"A dark and passionate tale of tortured but enduring love... Mesmerising" (Guardian)
"This brilliantly atmospheric Yorkshire saga has only one drawback - Emily never wrote another novel. For me, it is both fantastic but also true to life because the protagonists have such believably fierce emotions" (Kate Mosse)
"When I was 16 I read Wuthering Heights for the first time, and I read it as a kind of oracle; that life is worth nothing if it is not worth everything. Disaster does not matter, intensity does. You can dilute Wuthering Heights, as Mills & Boon and musicals have done. But if you are honest, you cannot escape its central stark premise; all or nothing. The all is not Heathcliff - that is the sentimental version. The all is what Heathcliff represents, which is life itself" (Jeanette Winterson)
"It is as if Emily Brontė could tear up all that we know human beings by, and fill these unrecognizable transparencies with such a gust of life that they transcend reality" (Virginia Woolf)
"Only Emily Brontė exposes her imagination to the dark spirit" (V. S. Pritchett)
From the Publisher:
"This brilliantly atmospheric Yorkshire saga has only one drawback - Emily never wrote another novel. For me, it is both fantastic but also true to life because the protagonists have such believably fierce emotions" (Kate Mosse)
"When I was 16 I read Wuthering Heights for the first time, and I read it as a kind of oracle; that life is worth nothing if it is not worth everything. Disaster does not matter, intensity does. You can dilute Wuthering Heights, as Mills & Boon and musicals have done. But if you are honest, you cannot escape its central stark premise; all or nothing. The all is not Heathcliff - that is the sentimental version. The all is what Heathcliff represents, which is life itself" (Jeanette Winterson)
"It is as if Emily Brontė could tear up all that we know human beings by, and fill these unrecognizable transparencies with such a gust of life that they transcend reality" (Virginia Woolf)
"Only Emily Brontė exposes her imagination to the dark spirit" (V. S. Pritchett)
Thoroughly edited and extensively annotated. Lavishly produced on natural, high-quality paper, and affordably priced.
"About this title" may belong to another edition of this title.
- PublisherPearson
- Publication date2008
- ISBN 10 0321212983
- ISBN 13 9780321212986
- BindingPaperback
- Edition number1
- Number of pages464
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Book Description Kartoniert / Broschiert. Condition: New. Über den AutorAlison Booth, Professor of English at the University of Virginia with a Ph.D. from Princeton (1986), specializes in Victorian studies, the novel, and women writers, while her teaching and research also range broadly. Seller Inventory # 897729014
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