Beginning in the eighteenth century with the building of St. Petersburg and culminating with the Soviet regime, Figes examines how writers, artists, and musicians grappled with the idea of Russia itself--its character, spiritual essence, and destiny. Skillfully interweaving the great works--by Dostoevsky, Stravinsky, and Chagall--with folk embroidery, peasant songs, religious icons, and all the customs of daily life, Figes reveals the spirit of "Russianness" as rich and uplifting, complex and contradictory--and more lasting than any Russian ruler or state.
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Around this supporting central theme, Figes has constructed an imposing edifice. The range of his knowledge and the sureness with which he deploys it are very impressive. Whether writing about the music of Stravinsky and Shostakovich or the novels of Tolstoy and Dostoevsky, the buildings of St Petersburg or the poetry of Akhmatova, he has something new and original to say. The great cultural achievements of Russia often seem, for those who have only a little knowledge of Russian history, like giant mountains suddenly rising out of featureless terrain. Figes's excellent book gives them a context and fills out many of the details of the surrounding landscape.--Nick Rennison
"Scintillating. . .an exceptional history of Russian culture and a joy to read." --San Francisco Chronicle
"Stunning and ambitious. . .Figes captures nothing less than Russians' complex and protean notions regarding their national identity." --The Atlantic Monthly
"Staggering. . .A vivid, entertaining, and enlightening account of what it has meant to be culturally a Russian over the last three centuries." --Los Angeles Times
"[A] masterly work." --New York Review of Books
"A big, bold, interpretative cultural history." --Foreign Affairs
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Book Description Paperback. Condition: new. Paperback. History on a grand scale--an enchanting masterpiece that explores the making of one of the world's most vibrant civilizations A People's Tragedy, wrote Eric Hobsbawm, did "more to help us understand the Russian Revolution than any other book I know." Now, in Natasha's Dance, internationally renowned historian Orlando Figes does the same for Russian culture, summoning the myriad elements that formed a nation and held it together. Beginning in the eighteenth century with the building of St. Petersburg--a "window on the West"--and culminating with the challenges posed to Russian identity by the Soviet regime, Figes examines how writers, artists, and musicians grappled with the idea of Russia itself--its character, spiritual essence, and destiny. He skillfully interweaves the great works--by Dostoevsky, Stravinsky, and Chagall--with folk embroidery, peasant songs, religious icons, and all the customs of daily life, from food and drink to bathing habits to beliefs about the spirit world. Figes's characters range high and low: the revered Tolstoy, who left his deathbed to search for the Kingdom of God, as well as the serf girl Praskovya, who became Russian opera's first superstar and shocked society by becoming her owner's wife. Like the European-schooled countess Natasha performing an impromptu folk dance in Tolstoy's War and Peace, the spirit of "Russianness" is revealed by Figes as rich and uplifting, complex and contradictory--a powerful force that unified a vast country and proved more lasting than any Russian ruler or state. Beginning in the 18th century with the building of St. Petersburg and culminating with the Soviet regime, Figes examines how writers, artists, and musicians grappled with the idea of Russia itself--its character, spiritual essence, and destiny. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Seller Inventory # 9780312421953
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