The National Bestseller
The sudden trace of a disturbing, forgotten aroma compels Stephen Wheatley to return to the site of a dimly remembered but troubling childhood summer in wartime London. As he pieces together his scattered memories, we are brought back to a quiet, suburban street where two boys--Keith and his sidekick, Stephen--are engaged in their own version of the war effort: spying on the neighbors, recording their movements, and ferreting out their secrets. But when Keith utters six shocking words, the boy's game of espionage takes a sinister and unintended turn, transforming a wife's simple errands and the ordinary rituals of family life into the elements of adult catastrophe.
Childhood and innocence, secrecy, lies and repressed violence are all gently laid bare as once again Michael Frayn powerfully demonstrates that what appears to be happening in front of our eyes often turns out to be something we cannot see at all.
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In Michael Frayn's novel Spies an old man returns to the scene of his seemingly ordinary suburban childhood. Stephen Wheatley is unsure of what he is seeking but, as he walks once-familiar streets he hasn't seen in 50 years, he unfolds a story of childish games colliding cruelly with adult realities. It is wartime and Stephen's friend Keith makes the momentous announcement that his mother is a German spy. The two boys begin to spy on the supposed spy, following her on her trips to the shops and to the post, and reading her diary. Keith's mother does have secrets to conceal but they are not the ones the boys suspect. Frayn skilfully manipulates his plot so that the reader's growing awareness of the truth remains just a few steps beyond Stephen's dawning realisation that he is trespassing on painful and dangerous territory. The only false notes occur in the final chapter when the central revelation (already cleverly signposted) is too swiftly followed by further disclosures about Stephen and his family that seem somehow unnecessary and make the denouement less satisfyingly conclusive. This is a much sparer and less expansive book than Headlong, Frayn's Booker Prize-shortlisted 1999 novel, more understated in its wit, but it is, in many ways, more compelling.--Nick Rennison
." . . a master of intellectual mystery masquerading as ripping popular entertainment. . .a gorgeous melancholy that shivers the mind." --The New York Times Book Review
"Marvelously effective. . .a novel of extraordinary power and wisdom, a tour de force of humane insight." --The Baltimore Sun
"Bernard Shaw couldn't do it, Henry James couldn't do it, but the ingenious English author Michael Frayn does do it: write novels and plays with equal success. [He] has extended his reach and seriousness while keeping a sprightly intellectuality." --John Updike, The New Yorker
"In Spies, recollections of actual things--the 'disconcerting perfume' of privet hedges in bloom and the flavor of lemon barley water--make Frayn's story so real you can taste it." --Boston Herald
"[Spies] convinces American readers that Frayn, author of some thirteen novels and sixteen plays, is a literary double threat." --The Boston Globe
"In this very English novel, secrets assume an unexpected power and excitement as Frayn reveals that a little of the fascist is buried in every clever child, and that spying can be a soul-destroying game." --Chicago Sun-Times
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