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The utopian community of Eden-Olympia, an isolated and secure multi-national business park, features the lastest services and facilities for elite high-tech industries, until a doctor at its clinic goes on a suicidal shooting spree, revealing the dangerous psychological vents behind the park's placid surface. 15,000 first printing.
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JG Ballard covers familiar territory in Super-Cannes: new social structures under pressure, new psychopathologies to be explored. As he did in his previous novel Cocaine Nights, he has avoided the more abstract imagery and plot of Rushing to Paradise or The Day of Creation to create, on the surface, a more mainstream novel, clearly concerned with modern issues of racism, random violence and sexuality. But familiar territory is always the most deeply subversive place in a Ballard novel.
Eden-Olympia is more than a mere business park. It is an expensive and intense hive, the modern "Dream Palace" of "a new elite of administrators, enarques and scientific entrepreneurs"; its aim, "to turn Provence into Europe's silicon valley". Paul Sinclair finds himself with time on his hands in this radical environment when his young wife takes a job at Eden-Olympia. She replaces a doctor who killed 10 executives with a rifle before shooting himself. He left no note and no explanation. Sinclair finds himself living in the same house and learning some of the same lessons as the killer.
There are the (un)usual Ballardian motifs; the injured airman, the swimming pools, the cars, the voyeuristic sex and violence, the perverse personal iconography of the central characters (the hothouse social environment even harks back to High-Rise from 1975), but in this new context they are even more profoundly unsettling than before. The apparently slick, professional characters are flawed and ambiguous, while strange events, as in the outstanding novella Running Wild from 1988, lead to extreme conclusions. Ballard is an expert in explaining how what at first appears perverse, amoral or simply wrong, is actually obvious, sensible and sane, and then going even further. From the beginning, the clues are all there. Eventually, both Sinclair and the reader are clear on what must be done. --John ShireReview:
‘Sublime... an elegant, elaborate trap of a novel, which reads as a companion piece to Cocaine Nights but takes ideas from that novel and runs further. The first essential novel of the 21st century.’ Independent
‘Possibly his greatest book. Super-Cannes is both a novel of ideas and a compelling thriller that will keep you turning the pages to the shocking denouement. Only Ballard could have produced it.’ Sunday Express
‘In this tautly paced thriller he brilliantly details how man's darker side derails a vast experiment in living, and shows the dangers of a near-future in which going mad is the only way of staying sane.’ Daily Mail
‘Vintage Ballard, a gripping blend of stylised thriller and fantastic imaginings.’ Guardian
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Book Description Condition: new. Seller Inventory # think0312284195
Book Description Picador, 2001. Hardcover. Condition: New. Brand New!. Seller Inventory # VIB0312284195
Book Description Condition: New. New. Seller Inventory # M-0312284195