No text has defined the self-understanding of the present time like Jean-François Lyotard’s La condition postmoderne, Rapport sur le savoir (1979). But few participants in the dialogue between the moderns and the postmoderns can claim to understand exactly what “modernity” is. Yet one can hardly understand “post-modernism” without adequately understanding what it is supposed to supersede. Thus there also arises one of the biggest difficulties in understanding postmodernism itself.
A good way to try to meet this need is by rereading, now more carefully than ever, the book to which Stephen Toulmin refers, in Cosmopolis, The Hidden Agenda of Modernity (1990), as one of “. . . the founding documents of modern thought . . .” (p.14). It is René Descartes’ Discours de la méthode/Discourse on the Method (1637), which is both a classic of modern philosophy and the crucial source book of modernity.
This unique edition of the Discours/Discourse contains an improved version of the original French text of Adam and Tannery, a new English translation as literal as possible and as liberal as necessary, an interpretive essay contextualizing the text historically and philosophically, an extensive bibliography, and a comprehensive index of Cartesian terminology.
The edition is not only for advanced students and teachers of philosophy as well as of related disciplines such as literary and cultural criticism, but also for all those “human beings of good sense” motivated by an interest in uncovering “the hidden agenda of modernity”. It is thus also intended as a timely contribution to the modern-postmodern debate.
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René Descartes (1596-1650) was a French philosopher, mathematician, and scientist. Descartes has often been called the father of modern philosophy, and is largely seen as responsible for the increased attention given to epistemology in the 17th century. He laid the foundation for 17th-century continental rationalism, later advocated by Spinoza and Leibniz, and was later opposed by the empiricist school of thought consisting of Hobbes, Locke, Berkeley, and Hume.
George Heffernan is professor of philosophy at Merrimack College.
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Taschenbuch. Condition: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Dialectic and Narrative in Aquinas investigates the intent, method, and structural unity of Thomas Aquinas's Summa Contra Gentiles. In this innovative study Thomas S. Hibbs goes against the grain of most traditional interpretations of the work, which claim it serves a missionary or apologetic end, and argues that the intended audience is Christian and that its subject is Christian wisdom. In the process of making his argument, Hibbs also demonstrates that the Summa Contra Gentiles is the most important of Aquinas's texts on the relationship between faith and reason, theology, and philosophy.Since the prologue to the Summa Contra Gentiles has been the focus of nearly all the debates over the work, Hibbs begins with an examination of it and the controversies it has provoked, and tests various interpretations of the prologue in light of the actual text. He then goes on to suggest that the method of the Contra Gentiles is dialectical and that its unifying principle is provided by the narrative structure of scripture. The next chapters are devoted to each of the Contra Gentiles' four ports and Hibbs argues that any interpretation of the first three books must consider how the order of Aquinas's discussion is driven by a series of dialectical encounters with received opinions, especially those of Aristotle and his commentators. Hibbs further demonstrates how attention to the dialectical method of the work has two advantages: first, it enables readers to avoid misinterpretations of Aquinas's positions on various issues, and second, it allows the reader to recapture something of Aquinas's original pedagogical intent. Dialectic and Narrative in Aquinas also reveals how the dialectical method of the Contra Gentiles is crucial to Aquinas's project of subordinating philosophy to theology, and in the concluding chapter Hibbs considers in detail the narrative unity of the Contra Gentiles and brings themes from Aquinas into conversation with contemporary work in genre theory. Seller Inventory # 9780268008710
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