"Type is the tie or ligature between author and reader," writes Hermann Zapf, "and it is much to be desired that readers become more critical and gradually more sensitive about the choice of type in a book. In this connection the question arises whether our modern book production shows generally that unity of content and form common, for example, among the books of the 15th and 16th and even later centuries. Why is this unity generally lost? And is it not an anachronism when Albert Einstein's relativity theory, or works by Bertrand Russell, Pasternak and other such are printed with types of historic design?...Books of historical content, books that seek to produce a certain mood or atmosphere in the reader, such books may continue to be set in historical or classical types--I do this myself in my own typographic works. On the other hand there are available so many devices expressive of our time that we ought not to banish them when we design books for our time."The designing of typographic devices and books "for our time" has been Hermann Zapf's central commitment as an artist. In this book he displays his art--he designed the book, which is set in a typeface of his own devising, Linotype Optima. The book is illustrated with type specimens from other fonts he has designed, and the text is both an autobiographical account of his artistic development and a statement of principles.First published in 1960 in a limited, numbered edition by The Typophiles, the book is now presented in a revised edition for the growing number of readers, printers, and designers who have become sensitive and sophisticated in matters of type. They will particularly be able to appreciate the author's versatility of form and graphic statement as reflected in the type styles illustrated here, including such famous faces as Palatino, Melior, Saphir, Aldus, and Optima. Other faces are also illustrated, some embodying Greek, Cyrillic, and Arabic characters. There are in addition some double-page working drawings showing changes and alterations in the author's hand and several specimen page layouts.
"synopsis" may belong to another edition of this title.
Seller: Main Street Fine Books & Mss, ABAA, Galena, IL, U.S.A.
Hardcover. 12mo. Blue cloth with gilt spine lettering, dust jacket. 142pp. Frontispiece, illustrations. Fine/very good. Quite minor jacket edgewear only. Superb and tight first thus, being the first revised edition of this 1960 text by the renowned German type designer and calligrapher (1918-2015). Seller Inventory # 50846
Seller: ThriftBooks-Atlanta, AUSTELL, GA, U.S.A.
Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 0.45. Seller Inventory # G0262240106I3N00
Seller: Chaparral Books, Portland, OR, U.S.A.
Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. Revised edition. Bound in publisher's blue cloth with gilt lettering on the spine. Very good with a hint of tanning on the endpapers. In a very good lightly edgeworn dust jacket shows some rubbing on the panels. 12mo. 142pp. Seller Inventory # SELzapAA
Seller: David H. Gerber Books (gerberbooks), Austin, TX, U.S.A.
Hard Cover. Condition: Very Good. Dust Jacket Condition: Very Good. [143]pp [rubbing and edge wear to dust jacket; spine cocked] This is a revised edition of the Typophile Chap Book No. 37 first issued in 1960. Size: 12mo - over 6¾" - 7¾" tall. Seller Inventory # 019444