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Book Description Hardcover. Condition: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2. Seller Inventory # G0262071479I3N00
Book Description Hardcover. Condition: Used - Good. Used copy with light wear to the cover. Binding is tight no interior marks. Seller Inventory # 310967
Book Description Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. The book has moderate fading/browning, minor edge wear, and slight rubbing. Otherwise, it is clean, crisp, and unmarked. The dust jacket has minor edge wear, and slight rubbing. Othrewise, it is sharp, bright, and adorned with mylar. Seller Inventory # 995139
Book Description Hardcover. Condition: Good. Seller Inventory # SONG0262071479
Book Description Hardcover. Condition: Very Good. Seller Inventory # 114338
Book Description hardcover. Condition: Good. Dust Jacket Condition: Good. EX LIBRARY. Several stamps and labels. D/J affixed to boards with tape. D/J in protective sleeve. Fading to D/J spine. Seller Inventory # 719316
Book Description Hardcover. Condition: Very Good. Dust Jacket Condition: Very Good. 1st Edition. Size 275mmX 205mm. Dan Graham's artworks and critical writings have had an enormous influence on the course of contemporary art over the past quarter century. His artwork has been exhibited in museums and galleries around the world. His writings have appeared in Artform, Arts, and numerous other magazines, books, and monographs. Brian Wallis is a senior editor of Art in America. Seller Inventory # 002451
Book Description Hardcover with dustjacket, 328 pages, as new condition, no internal marks, clean and crisp. Foreign shipping may be extra. Seller Inventory # RoGrCa85
Book Description hardcover with dust jacket. Dan Graham's artworks and critical writings have had an enormous influence on the course of contemporary art over the past quarter century. Rock My Religion collects eighteen of Graham's essays from all periods of his work, beginning with his essays on minimalist artists such as Dan Flavin and Donald Judd, continuing with his writings on punk rock and popular culture, and concluding with his more recent considerations of architecture, urban space, and power.Alternating with these theoretical essays are descriptions and documentations of Graham's own works and installations - projects that trace his explorations in conceptual art, video, photography, architecture, and public sculpture, showing the integral connections between Graham's criticism and his own artwork. Although as an artist Graham has been associated with minimalism, conceptual art, and postmodernism, his writing does not conform to the stylistic and theoretical constraints of any specific movement. With sources and topics ranging from Ronald Reagan to the Sex Pistols, from Michel Foucault to Dean Martin, Graham's eclectic investigations into the complex cultural relationships between art production and social reality are always strikingly original. What makes these writings particularly astonishing, though, is Graham's willingness to examine specific manifestations of popular culture (television, magazines, rock and roll, drugs) without regard to traditional qualitative judgments and without separating "high" or "low" culture from the processes of everyday life.Text: Wallis Brian, Graham Dan.cm 20x27,5; pp. 330; BW ills.; hardcover with dust jacket. book. Seller Inventory # AM-1242
Book Description Hardcover. Condition: Good. Good. book. Seller Inventory # D8S0-3-M-0262071479-6