Pattern Recognition - a pulsating techno-thriller by William Gibson, bestselling author of Neuromancer
Cayce Pollard has been flown to London. She's a 'coolhunter' - her services for hire to global corporations desperate for certainty in a capricious and uncertain world. Now she's been offered a special project: track down the makers of the addictive online film that's lighting up the 'net. Hunting the source will take her to Tokyo and Moscow and put her in the sights of Japanese computer crazies and Russian Mafia men. She's up against those who want to control the film, to own it - who figure breaking the law is just another business strategy.
The kind of people who relish turning the hunter into the hunted . . .
William Gibson is a prophet and a satirist, a black comedian and an outstanding architect of cool. Readers of Neal Stephenson, Ray Bradbury and Iain M. Banks will love this book. Pattern Recognition is the first novel in the Blue Ant trilogy - read Spook Country and Zero History for more.
'A big novel, full of bold ideas . . . races along like an expert thriller' GQ
'Dangerously hip. Its dialogue and characterization will amaze you. A wonderfully detailed, reckless journey of espionage and lies' USA Today
'A compelling, humane story with a sympathetic heroine searching for meaning and consolation in a post-everything world' Daily Telegraph
Idoru is a gripping techno-thriller by William Gibson, bestselling author of Neuromancer
'Fast, witty and cleverly politicized' Guardian
"synopsis" may belong to another edition of this title.
In Pattern Recognition, William Gibson changes focus from the not-too-distant future of his slick, influential SF novels to a netwise vision of strangeness just hours or minutes from the present.
Talented, vulnerable heroine Cayce Pollard is an adept "coolhunter" with an intuitive gift for telling whether any image or logo will be a commercial flop. The downside is her tortured sensitivity--like an allergic reaction--to logo overexposure. She can just about bear to fly BA, but not cross-promoted Virgin...
When she's consulted by top ad agency Blue Ant and gives the thumbs-down to their designer's latest concept, the edgy urban paranoia begins. A porn-site URL that she never accessed appears in her browser history, and the phone's redial button goes somewhere it shouldn't. The same faces appear around her as she flits between continents. Small world. Worryingly small.
As new vistas open in viral marketing and stealth publicity, the big admen are all too interested in Cayce's private hobby: mystery fragments of haunting movie footage, released anonymously on the Web. This unknown "garage Kubrick" auteur has spawned a fascinated, obsessive online cult. Is this a brilliant marketing operation for a still-unknown product, or something with different, dark and painful roots?
Cayce's personal quest, or flight, converges on the source of the Footage, helped and threatened by memorably offbeat characters. In Britain, these include a pettily sadistic woman who seems to know Cayce's most carefully concealed phobias, and an embittered collector of obsolete mechanical calculators made in Liechtenstein. Tokyo: a lovesick Japanese geek whose "otaku" friends find a hidden digital signature in the Footage. Moscow: a strange girl whose uncle is a fabulously wealthy--and dangerously protected--Russian mafioso...
Here's Cayce in a Japanese hotel, showing that wittily lyrical Gibson view of the world and his deft use of brand names:
She uses the remote as demonstrated, drapes drawing quietly aside to reveal a remarkably virtual-looking skyline, a floating jumble of electric Lego, studded with odd shapes you wouldn't see elsewhere, as if you'd need special Tokyo add-ons to build this at home.
This world of glittering surfaces and pulsating data connections is mined with surprises, betrayals, flurries of violence and unexpected allies. This is a very 21st century novel: compulsive reading, and vintage Gibson. --David Langford
A masterful performance. ("Chicago Tribune") One of the first authentic and vital novels of the 21st century. ("Washington Post Book World") Gibson nails the texture of Internet culture. ("New York Tiimes") Completely contemporary...his best book. ("San Francisco Chronicle Book Review") [An] eerie vision of our time. ("New Yorker")
"A masterful performance." --"Chicago Tribune"
"One of the first authentic and vital novels of the 21st century." --"Washington Post Book World"
"Gibson nails the texture of Internet culture." --"New York""Tiimes"
"Completely contemporary...his best book."--" ""San Francisco""Chronicle Book Review"
"[An] eerie vision of our time."--"New Yorker"
"A masterful performance." --Chicago Tribune
"One of the first authentic and vital novels of the 21st century." --Washington Post Book World
"Gibson nails the texture of Internet culture." --New YorkTiimes
"Completely contemporary...his best book."-- San FranciscoChronicle Book Review
"[An] eerie vision of our time."--New Yorker
"A masterful performance." Chicago Tribune
"One of the first authentic and vital novels of the 21st century." Washington Post Book World
"Gibson nails the texture of Internet culture." New YorkTiimes
"Completely contemporary...his best book." San FranciscoChronicle Book Review
"[An] eerie vision of our time." New Yorker"
"A masterful performance." Chicago Tribune
"One of the first authentic and vital novels of the 21st century." Washington Post Book World
"Gibson nails the texture of Internet culture." New YorkTiimes
"Completely contemporary...his best book." San FranciscoChronicle Book Review
"[An] eerie vision of our time." New Yorker
""A masterful performance."--Chicago Tribune
"Gibson nails the texture of internet culture: how it feels to be close to someone you know only as a voice in a chat room, or to fret about someone spying on your browser's list of sites visited."--The New York Times
"[An] eerie vision of our time."--The New Yorker
"Pattern Recognition races along like an expert thriller, but it rides on a strong current of melancholy, of elegy for the broken and the vanished...Gibson knows he's building on ground zero."--GQ "So good it defies all the usual superlatives."--The Seattle Times"About this title" may belong to another edition of this title.
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Paperback. Condition: new. Paperback. 'A big novel, full of bold ideas. Races along like an expert thriller' GQOne of the most influential and imaginative writers of the past twenty years turns his attention to London - with dazzling results.Cayce Pollard owes her living to her pathological sensitivity to logos. In London to consult for the world's coolest ad agency, she finds herself catapulted, via her addiction to a mysterious body of fragmentary film footage, uploaded to the Web by a shadowy auteur, into a global quest for this unknown 'garage Kubrick'. Cayce becomes involved with an eccentric hacker, a vengeful ad executive, a defrocked mathematician, a Tokyo Otaku-coven known as Eye of the Dragon and, eventually, the elusive 'Kubrick' himself.William Gibson's new novel is about the eternal mystery of London, the coolest sneakers in the world, and life in (the former) USSR. Cayce Pollard owes her living to her pathological sensitivity to logos. In London to consult for the world's coolest ad agency, she finds herself catapulted, via her addiction to a mysterious body of fragmentary film footage, uploaded to the Web by a shadowy auteur, into a global quest for this unknown 'garage Kubrick'. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Seller Inventory # 9780241953532
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