SHORTLISTED FOR THE MAN BOOKER PRIZE 2016
SHORTLISTED FOR THE GOLDSMITHS PRIZE 2016
Plunge into this hypnotic tale of female sexuality and power - from the Man Booker shortlisted author of Swimming Home
Two women arrive in a village on the Spanish coast. Rose is suffering from a strange illness andher doctors are mystified. Her daughter Sofia has brought her here to find a cure with the infamous and controversial Dr Gomez - a man of questionable methods and motives. Intoxicated by thick heat and the seductive people who move through it, both women begin to see their lives clearly for the first time in years.
Through the opposing figures of mother and daughter, Deborah Levy explores the strange and monstrous nature of womanhood. Dreamlike and utterly compulsive, Hot Milk is a delirious fairy tale of feminine potency, a story both modern and timeless.
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Unsettling, challenging and gloriously written, Hot Milk by Deborah Levy is the multi-generational story of a hallucinatory sort of summer (Juliet Nicolson, Evening Standard)
Leaves the reader enraptured and unnerved (Jackie Annesley, Evening Standard)
Publisher's description. Shortlisted for the Man Booker and Goldsmiths prizes, a hypnotic tale of female sexuality and power under the scorching midday sun. Sofia and her mother arrive on the Spanish coast looking for answers - what they find there will be strange, seductive and fearsome beyond their wildest dreams. (Penguin)
Vibrant...an intense, sun-drenched story. The prose veers dizzily between the poetic and the convoluted, spreading a hallucinatory patina of weirdness over everything. This is a writer for whom ordinary language just will not do. (The Times)
An extraordinary novel, beautifully rich, vividly atmospheric and psychologically complex. Every woman should read it (Bernardine Evaristo, author of MR LOVERMAN)
So mesmerising that reading it is to be under a spell...Sex suffuses the novel, with pleasure frequently crossing into pain (Independent on Sunday)
A smart, seductive and utterly beguiling read (Mail on Sunday)
Elegant and deeply strange [and] hummingly funny throughout (Spectator)
What makes the book so good is Ms. Levy's great imagination, the poetry of her language [and] moving gracefully among pathos, danger and humor (New York Times)
Deborah Levy trained at Dartington College of Arts leaving in 1981 to write a number of plays, highly acclaimed for their "intellectual rigour, poetic fantasy and visual imagination", including PAX, HERESIES for the Royal Shakespeare Company, CLAM, CALL BLUE JANE, SHINY NYLON, HONEY BABY MIDDLE ENGLAND, PUSHING THE PRINCE INTO DENMARK and MACBETH-FALSE MEMORIES, some of which are published in LEVY: PLAYS 1 (Methuen) Deborah wrote and published her first novel BEAUTIFUL MUTANTS (Vintage), when she was 27 years old. The experience of not having to give her words to a director, actors and designer to interpret, was so exhilarating, she wrote a few more. These include, SWALLOWING GEOGRAPHY, THE UNLOVED (Vintage) and BILLY and GIRL (Bloomsbury). She has always written across a number of art forms (see Bookworks and Collaborations with visual artists) and was Fellow in Creative Arts at Trinity College, Cambridge from 1989-1991.
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