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Tim O'Brien once said of Raymond Carver, 'he uses the English language like a whittler's knife, carving stark and unadorned prose-objects, paring away everything but the very core of human emotion'.
Beginners is Carver's most famous collection of short stories - What We Talk About When We Talk About Love - before this whittling process had begun.It is the unedited version of the masterpiece which would be cut by almost fifty percent by Carver's editor and mentor, Gordon Lish, before its original publication in 1981 and which would go on to become one of the most influential pieces of modern literature.
Carver's preoccupation with the marrow of things is just as present in these longer stories. A young girl, dancing with her lover amidst the debris of an older man's life, has her first forewarning of the dangers of adulthood, and is filled with an 'unbearable happiness'.A man and woman lock themselves in a motel room and slowly, painfully, acknowledge the end of a relationship, while somewhere else in the lonely Midwest a man is photographed over and over again as he attempts to locate himself in a world that seems utterly without focus. But as we move through the manifold little tragedies at the heart of the ordinary - so much at the core of Carver's work - new layers, new nuances, new meanings reveal themselves.
Where the Lish / Carver collaboration cut this collection to the 'linguistic bone', these fleshier stories say what was previously unsaid, filling in the narrative silences that have both inspired and mystified readers for so long.Beginners is a fascinating insight into the aesthetic of a literary great and, in the questions it raises, may just spark off one of the great cultural debates of our times.
Beginners is Carver's most famous collection of short stories - What We Talk About When We Talk About Love - before this whittling process had begun.It is the unedited version of the masterpiece which would be cut by almost fifty percent by Carver's editor and mentor, Gordon Lish, before its original publication in 1981 and which would go on to become one of the most influential pieces of modern literature.
Carver's preoccupation with the marrow of things is just as present in these longer stories. A young girl, dancing with her lover amidst the debris of an older man's life, has her first forewarning of the dangers of adulthood, and is filled with an 'unbearable happiness'.A man and woman lock themselves in a motel room and slowly, painfully, acknowledge the end of a relationship, while somewhere else in the lonely Midwest a man is photographed over and over again as he attempts to locate himself in a world that seems utterly without focus. But as we move through the manifold little tragedies at the heart of the ordinary - so much at the core of Carver's work - new layers, new nuances, new meanings reveal themselves.
Where the Lish / Carver collaboration cut this collection to the 'linguistic bone', these fleshier stories say what was previously unsaid, filling in the narrative silences that have both inspired and mystified readers for so long.Beginners is a fascinating insight into the aesthetic of a literary great and, in the questions it raises, may just spark off one of the great cultural debates of our times.
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Review:
"One of the great short story writers of our time--of any time." --The Philadelphia Inquirer "Carver is a writer of astonishing compassion and honesty. . . . His eye is so clear, it almost breaks your heart." --The Washington Post Book World
Book Description:
This fascinating collection contains the original, unedited stories Raymond Carver wrote for what became – at the hands of his editor Gordon Lilsh – What We Talk About When We Talk About Love
"About this title" may belong to another edition of this title.
- PublisherJonathan Cape
- Publication date2009
- ISBN 10 0224089293
- ISBN 13 9780224089296
- BindingPaperback
- Number of pages224
- Rating
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Beginners
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Vintage Publishing, United Kingdom, London
(2009)
ISBN 10: 0224089293
ISBN 13: 9780224089296
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Book Description Paperback. Condition: Very Good. Tim O'Brien once said of Raymond Carver, 'he uses the English language like a whittler's knife, carving stark and unadorned prose-objects, paring away everything but the very core of human emotion'. Beginners is Carver's most famous collection of short stories - What We Talk About When We Talk About Love - before this whittling process had begun.It is the unedited version of the masterpiece which would be cut by almost fifty percent by Carver's editor and mentor, Gordon Lish, before its original publication in 1981 and which would go on to become one of the most influential pieces of modern literature. Carver's preoccupation with the marrow of things is just as present in these longer stories. A young girl, dancing with her lover amidst the debris of an older man's life, has her first forewarning of the dangers of adulthood, and is filled with an 'unbearable happiness'.A man and woman lock themselves in a motel room and slowly, painfully, acknowledge the end of a relationship, while somewhere else in the lonely Midwest a man is photographed over and over again as he attempts to locate himself in a world that seems utterly without focus. But as we move through the manifold little tragedies at the heart of the ordinary - so much at the core of Carver's work - new layers, new nuances, new meanings reveal themselves. Where the Lish / Carver collaboration cut this collection to the 'linguistic bone', these fleshier stories say what was previously unsaid, filling in the narrative silences that have both inspired and mystified readers for so long.Beginners is a fascinating insight into the aesthetic of a literary great and, in the questions it raises, may just spark off one of the great cultural debates of our times. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Seller Inventory # GOR006273591
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