A selection of reviews and essays by Martin Amis, written over the past quarter-century. It contains pieces on a wide range of writers, from Cervantes to John Updike, and covers such subjects as chess, nuclear weapons, masculinity, Andy Warhol, Hillary Clinton and Margaret Thatcher.
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In Martin Amis's War Against Cliché, a selection of critical essays and reviews published between 1971 and 2000, he establishes himself as one of the fiercest critics and commentators on the literature and culture of the late 20th century. (He has already established himself as one of the most controversial and original novelists writing in English with novels such as Money and Time's Arrow). In his "Foreword" Amis ruefully admits that his earlier reviews reveal a rather humourless attitude towards the "Literature and Society" debate of the time. Yet this only adds to the fascination of the collection, as Amis gradually finds his critical voice in the 1980s, confirming his passionate belief that "all writing is a campaign against cliché". In the subsequent sections of the book this war leads to some wonderfully cutting and amusing responses to whatever crosses his path, from books on chess and nuclear proliferation to the novels of his hero Vladimir Nabokov and Cervantes' Don Quixote. Praise for his literary heroes is often fulsome--JG Ballard's High-Rise "is an intense and vivid bestiary, which lingers in the mind and chronically disquiets it"--but his literary wrath is also devastating in its incisiveness. Thomas Harris's Hannibal is dismissed as "a novel of such profound and virtuoso vulgarity", whilst John Fowles is attacked because "he sweetens the pill: but the pill was saccharine all along". Often frank in its reappraisals (Amis conceded to being too hard on Ballard's Crash when reviewing the film many years later), some of the best writing is reserved for his journalism on sex manuals, chess and his beloved football. War Against Cliché will provoke strong reactions, but that only seems to confirm, rather than deny the value of Amis' writing. --Jerry Brotton
"Irresistible. . . . The man's a genius with words. . . . Whatever Amis has to say about a book or a writer seems just right--and lip smackingly phrased." --The Washington Post
"Brilliant prose. . . .[Amis] proselytizes for talent by demonstrating it, by doing it. . . . He is a master." -The New York Times Book Review
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Hardcover. Condition: Good. In this collection of essays and reviews spanning twenty-five years ofcriticism, Martin Amis asserts the writers obligation to battle "not justcliches of the pen but cliches of the mind and cliches of the heart." Hemarshals the forces of his infamous arsenal: his language, his wit, and hisintolerance for suffering fools to review, consider, and in some cases,condemn. He takes to task the best and the brightest, including Cervantesand Milton, Jane Austen and Charles Dickens, and Norman Mailer and ElmoreLeonard. From "Great Books" to "Some American Prose," from "PopularityContest" to the "Ultramundane," Amis parses the classics and theunconventional with the subversive brilliance he brings to everything hetouches. He also skewers myths about masculinity, with great skepticism and more thana dash of nose-thumbing humor. Unflinchingly, he lambastes the "superchargedbanality" of Elvis, the monumentally self-absorption of Andy Warhol, andAmerican squeamishness about movie violence. Evaluating the presentparticiple, casting a cold eye on the Guinness Book of Records, and thesacrosanct image of Abraham Lincoln, Amis astutely surveys our culturallandscape and fluctuates between celebration and castigation, with theprecision of a hypodermic.About the Author:Martin Amis is the best-selling author of several books, including LondonFields, Money, The Information, and, most recently, Experience. He lives inLondon. Seller Inventory # SONG0224050591
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