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Nicola Humble provides a scholarly introduction and notes. Gesturing towards academic fashions, she describes the many facets of the book in terms of modes of discourse--which is perhaps a highfalutin way of pointing out the remarkable range of subject matter and the variety of Beeton's sources. The notes entertainingly combine theoretical commentary with often deadpan remarks on the recipes ("Rock biscuits: so-called for their appearance, not their texture"). The recipes themselves are the principal victims of the abridgement, for Nicola Humble's main aim is to present the book as a kind of exhaustive self-portrait of the expanding and aspirational Victorian middle classes. The representative selection that remains, however, are enough to make this a welcome reissue of a fascinating and important book. --Robin Davidson
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