Pish, Posh, Said Hieronymus Bosch

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9780152622107: Pish, Posh, Said Hieronymus Bosch

Here is an imaginative tale about the unconventional fifteenth-century Flemish painter Hieronymus Bosch, as told by his wildly dissatisfied housekeeper. Caldecott Medalists Leo and Diane Dillon and their son, Lee, depict a most unusual household filled with pickle-winged fish, flying furniture, and other bizarre delights. “From its sumptuous paintings to its gilt frames to its quixotic verse, everything about this exquisitely produced tour de force bespeaks wit and elegance.”--Publishers Weekly

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About the Author:

LEO and DIANE DILLON together illustrated more than twenty-five acclaimed and award-winning books for children, including the Caldecott Medal winner Why Mosquitos Buzz in People's Ears by Verna Aardema, a retelling of the opera Aida by Leontyne Price, and their own Mother Goose Numbers on the Loose.

From School Library Journal:

Grade 3 Up-- One needn't know Bosch's paintings of nightmarish otherworlds to be intrigued by the fantastic cast of characters Willard describes and the Dillons depict--although this visual parody is even more delightful to those familiar with the artist's work. The painter's housekeeper complains of the extreme frustration produced by the hordes of weird creatures that keep her from her proper duties, and she leaves. But she's followed by the lot who clamor for her loving attention , and she returns resigned to an active life with those who need her. Willard's verse has a Seuss-like dash to it, most frequently rhymed couplets with unusual words and even odder references to things such as a "pickle-winged fish." All the words are hand-lettered in an unlikely mixture of upper- and lower-case letters in the same tones of warm brown used to create vignettes on the pages facing the full color scenes. And such illustrations they are! The Dillons' son has cast four winged beasties and intergrated them onto a gilt wood frame with a softly arched top. Inside the artists have painted scenes in the spirit of the 15th-century genius but in a more modern, post-Renaissance fashion. The setting and humans are realistically portrayed in period dress, the artist as a bit of a crackpot and his housekeeper as a young woman fed up with his madness. It's the "beehive in boots" and "three-legged thistles" that infest all parts of these scenes that are based on characters from Bosch's vision of hell. Only now the effect is comic rather than frightening. Once again the artists show their virtuosity, their ability to don the robes of another artistic period or place, and yet play the play in their own fashion. --Kenneth Marantz, Art Education Department, Ohio State University, Columbus
Copyright 1991 Reed Business Information, Inc.

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Nancy Willard, Leo & Diane Dillon (Illustrator), Lee Dillon (Illustrator)
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