PRAISE FOR "AMPHIGOREY AGAIN" "The meticulous draftsmanship crowding every frame, along with the hilariously overloaded cast of characters, contrasts with the void that is the story's central mystery: not the disappearance of a cherished heirloom . . . but the absence of a coherent plot. A seemingly linear narrative reveals itself as a string of evocative non sequiturs. There's rarely a punch line in Goreyland, just an elegant withdrawal into artifice."--"Los Angeles Times"
PRAISE FOR"AMPHIGOREY AGAIN" "The meticulous draftsmanship crowding every frame, along with the hilariously overloaded cast of characters, contrasts with the void that is the story's central mystery: not the disappearance of a cherished heirloom . . . but the absence of a coherent plot. A seemingly linear narrative reveals itself as a string of evocative non sequiturs. There's rarely a punch line in Goreyland, just an elegant withdrawal into artifice."--"Los Angeles Times"
PRAISE FOR "AMPHIGOREY AGAIN""The meticulous draftsmanship crowding every frame, along with the hilariously overloaded cast of characters, contrasts with the void that is the story's central mystery: not the disappearance of a cherished heirloom . . . but the absence of a coherent plot. A seemingly linear narrative reveals itself as a string of evocative non sequiturs. There's rarely a punch line in Goreyland, just an elegant withdrawal into artifice."--"Los Angeles Times""
PRAISE FOR "AMPHIGOREY AGAIN"
"The meticulous draftsmanship crowding every frame, along with the hilariously overloaded cast of characters, contrasts with the void that is the story's central mystery: not the disappearance of a cherished heirloom . . . but the absence of a coherent plot. A seemingly linear narrative reveals itself as a string of evocative non sequiturs. There's rarely a punch line in Goreyland, just an elegant withdrawal into artifice."--"Los Angeles Times""
PRAISE FOR
AMPHIGOREY AGAIN "The meticulous draftsmanship crowding every frame, along with the hilariously overloaded cast of characters, contrasts with the void that is the story's central mystery: not the disappearance of a cherished heirloom . . . but the absence of a coherent plot. A seemingly linear narrative reveals itself as a string of evocative non sequiturs. There's rarely a punch line in Goreyland, just an elegant withdrawal into artifice."--
Los Angeles TimesPRAISE FOR EDWARD GOREY
"A master of a genre of graphic storytelling [and] a brilliant draftsman."--
The New York Times Book Review "Dark masterpieces of surreal morality . . . Beautifully depicted."--
Vanity FairPRAISE FOR EDWARD GOREY
"A master of a genre of graphic storytelling [and] a brilliant draftsman."--
The New York Times Book Review "Dark masterpieces of surreal morality . . . Beautifully depicted."--
Vanity Fair
Edward Gorey (1925-2000) wrote and illustrated such popular books as The Doubtful Guest, The Gashlycrumb Tinies, and The Headless Bust. He was also a very successful set and costume designer, earning Tony Awards for his Broadway production of Edward Gorey's Dracula. Animated sequences of his work have introduced the PBS series Mystery! since 1980.
Edward Gorey (1925-2000) wrote and illustrated such popular books as The Doubtful Guest, The Gashlycrumb Tinies, and The Headless Bust. He was also a very successful set and costume designer, earning a Tony Award for his Broadway production of Edward Gorey's Dracula. Animated sequences of his work have introduced the PBS series Mystery! since 1980.