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In a surreal portrait of contemporary society run amok, Isserley spends her life picking up hitchhikers, a diverse array of trailer trash, graduate students, thugs, and philosophers, whose only interest for Isserley is whether they have families and whether they have muscles. A first novel. 25,000 first printing.
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Isserley always drove straight past a hitch-hiker when she first saw him, to give herself time to size him up. She was looking for big muscles: a hunk on legs. Puny, scrawny specimens were no use to her.So begins Michel Faber's first novel: a lone female scouts the Scottish Highlands in search of well-proportioned men and the reader is given to expect the unfolding of some latter-day psychosexual drama. But commonplace expectation is no guide for this strange and deeply unsettling book; small details at first, then more major clues, suggest that something deeply bizarre is afoot. What are the reason's for Isserley's extensive surgical scarring, her thick glasses (which are just glass), her excruciating backache? Who are the solitary few who work on the farm where her cottage is located? And why are they all nervous about the arrival of someone called Amlis Vess?
The ensuing narrative is one of such cumulative, compelling strangeness that it almost defies description--the one thing that can be said with certainty is that Under The Skin is unlike anything else you have ever read. The result is a narrative of enormous imaginative and emotional coherence from a writer whose control of his medium is nearly flawless and who applies the rules of psychological realism to a fictional world that is terrifying and unearthly to the point that the reader's identification with Isserley becomes one of absolute sympathy.
Michel Faber's debut deserves to inherit and expand upon the acclaim bestowed upon his short-story collection Some Rain Must Fall. Under the Skin is a reviewer's nightmare and a reader's dream: a book so distinctive, so elegantly written and so original that all one can say is simply to experience it. An extraordinary first book. -- Burhan TufailReview:
Under the Skin is a shocking and fantastical take on modern humanity. * * The Week * * 'One measure of a book is its stickability, its ability to remain in the mind long after being read. Michel Faber's Under the Skin passes this test with ease, or should that be unease? Faber builds a credible thriller on what seems the shakiest of premises . . . Its triumph, however, is that it plays on the mind long after a first reading. It is the best first novel of the year and a worthy successor to Faber's short stories. * * Herald * * . . . strange, adept, original . . . Would that more first novels were as adventurous or as funky and daring in their conception. * * Independent on Sunday * * Astonishingly, this is Michel Faber's first novel. It is audacious, fascinating, repellent and quite unlike anything I have ever read. * * Mail on Sunday * * Edgy, accomplished debut . . . To describe the bizarre scenario behind this novel would make it sound absurd but in Michel Faber's hands it is a compelling and darkly disorientating tale. Told in sparse, often beautiful prose, Under the Skin defies genre, swerving from parable to science fiction and questioning what makes us human, how we connect to each other, and how we define and treat the 'other'. A refreshing reminder of how good fiction can make our own world seem alien. * * Daily Mail * *
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Book Description Harcourt, Inc., 2000. Condition: New. book. Seller Inventory # M0151006261
Book Description Harcourt, Inc. Hardcover. Condition: New. 0151006261 New Condition. Seller Inventory # NEW7.0031986