Edward Gorey's extraordinary and often disconcerting books are avidly sought and treasured throughout the world, but until now little has been known about the man himself. Gorey, notoriously protective of his privacy, did grant a number of interviews over the course of his life. And as the conversations collected in this book demonstrate, he proved to be unfailingly charming and fascinating. Here is Gorey in his own words and pictures, ruminating on his ascending peculiarity. He died in 2000.
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PRAISE FOR EDWARD GOREY"A man of enormous erudition . . . an artist and writer of genius."--Stephen Schiff, "The New Yorker""Edward Gorey's work is remarkable and mysterious. I find it fascinating."--Max Ernst"An American original . . . One of this century's foremost eccentric geniuses."--"Print Magazine"
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Book Description Harcourt Brace Academic Pub., 2001. Hardcover. Book Condition: New. New Condition. Clean crisp tight copy, no marks or tears. Email Notification. Satisfaction Guaranteed. Bookseller Inventory # ppl1610188218
Book Description Harcourt Brace Academic Pub., 2001. Hardcover. Book Condition: New. 1st. Bookseller Inventory # DADAX0151005044
Book Description Harcourt Brace Academic Pub., 2001. Book Condition: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: Will Gorey's curious Victorian households scenes of disconcerting, dastardly deeds and "crypto-Edwardian" characters fade into obscurity with his death? Not a chance. Cultish popularity has yielded to international fascination with this fecund author-artist's carefully crosshatched drawings, quaint enchiridions and fey fiction. Curator/art critic Wilkin expands on The World of Edward Gorey (1996), which she coauthored, with this illustrated collection of 21 interviews that reveal Gorey's interests, foibles and habits. Gorey (1925-2001) studied at the Art Institute of Chicago, was drafted in 1943 (training in Utah, he began his writing career with "unpresentable. closet dramas") and majored in French at Harvard. He initially published his books through his own Fantod Press. More than 100 titles followed The Unstrung Harp (1953), and his readership expanded in 1972 with the first of the Amphigorey anthologies. Interviews culled from magazines (Cats, Dance, Vanity Fair), newspapers, NPR and TV (Dick Cavett) reveal Gorey's cultural influences and inspirations (cats, crime narratives, Louis Feuillade, Buster Keaton, the New York City Ballet, Ivy Compton-Burnett) along with minutiae and insights into his erudite, eccentric humor. Best of all, readers glimpse Gorey's creative processes: the texts almost always preceded the drawings, for instance. On his work he was characteristically irreverent: "I get a certain enjoyment out of doing it; but after it's done, I have no feeling for it at all." Stephen Schiff's 1992 "Edward Gorey and the Tao of Nonsense" (from the New Yorker) provides an outstanding overview. This is an exhilarating excursion into an extraordinary imagination (with numerous artistic tips and resources). 8 photos, 150 drawings. (Oct.)Forecast: National publicity and advertising, especially around the holidays, and counter displays will grab fans and gift givers. Bookseller Inventory # ABE_book_new_0151005044
Book Description Harcourt Brace, Orlando, Florida, U.S.A., 2001. Hardcover. Book Condition: New. Dust Jacket Condition: New. First Edition (1st printing). 8vo - over 7¾" - 9¾" tall. This is a New and Unread copy of the first edition (1st printing). Bookseller Inventory # 023537
Book Description Harcourt Brace Academic Pub., 2001. Hardcover. Book Condition: New. book. Bookseller Inventory # 0151005044
Book Description Harcourt Brace Academic Pub., 2001. Hardcover. Book Condition: New. Bookseller Inventory # P110151005044