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This has all of Leon's regular cast of characters--Brunetti's indolent and corrupt superior Patta, only too pleased to use his zealous commissario as a scapegoat, and Paola's somewhat sinister father, Count Falier, one of the men who, for good and ill, run the city of Venice. As always, the plot switchbacks from crime to crime and issue to issue. Leon's endlessly superior capacity for leading her readers up a variety of garden paths has rarely been so clearly on display. Above all, it shows what has been one of the more attractive marriages in modern detective fiction under serious stress for the first time; these have always been detective stories that offered more rewards than those of crime and punishment and this one is no exception.--Roz Kaveney
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